This meeting—all their conversation—was fresh and speaking in her brain as she sat looking over the river in her recovered gown of blue. But for the meeting, but for the shabby man and what he had said, there would have been no blue gown, she would not have been in London nor in the flat. He had brought her there, to do something, to make something, to play with life as life had played with her, to have a revenge, to die, if die she must, of heat rather than of cold.

Well, she would follow his advice—would accept and fulfil it amply. 'At the worst there are the pensions again—and there's Danes Inn!'

She laughed at that idea, but her laugh was rather hard, her mouth a little grim, her eyes mischievous. These were the marks youth and the four years had left. Besides, she cared for not a soul on earth.


CHAPTER II COMING NEAR THE FIRE

At the age of forty (a point now passed by some half-dozen years) Mrs. Bonfill had become motherly. The change was sudden, complete, and eminently wise. It was accomplished during a summer's retirement; she disappeared a queen regnant, she reappeared a dowager—all by her own act, for none had yet ventured to call her passée. But she was a big woman, and she recognised facts. She had her reward. She gained power instead of losing it; she had always loved power, and had the shrewdness to discern that there was more than one form of it. The obvious form she had never, as a young and handsome woman, misused or over-used; she had no temptations that way, or, as her friend Lady Blixworth preferred to put it, 'In that respect dearest Sarah was always bourgeoise to the core.' The new form she now attained—influence—was more to her taste. She liked to shape people's lives; if they were submissive and obedient she would make their fortunes. She needed some natural capacities in her protégés, of course; but, since she chose cleverly, these were seldom lacking. Mrs. Bonfill did the rest. She could open doors that obeyed no common key; she could smooth difficulties; she had in two or three cases blotted out a past, and once had reformed a gambler. But she liked best to make marriages and Ministers. Her own daughter, of course, she married immediately—that was nothing. She had married Nellie Towler to Sir James Quinby-Lee—the betting had been ten to one against it—and Lady Mildred Haughton to Frank Cleveland—flat in the face of both the families. As for Ministers, she stood well with Lord Farringham, was an old friend of Lord Glentorly, and, to put it unkindly, had Constantine Blair fairly in her pocket. It does not do to exaggerate drawing-room influence, but when Beaufort Chance became a Whip, and young Lord Mervyn was appointed Glentorly's Under-Secretary at the War Office, and everybody knew that they were Mrs. Bonfill's last and prime favourites—well, the coincidence was remarkable. And never a breath of scandal with it all! It was no small achievement for a woman born in, bred at, and married from an unpretentious villa at Streatham. La carrière ouverte—but perhaps that is doing some injustice to Mr. Bonfill. After all, he and the big house in Grosvenor Square had made everything possible. Mrs. Bonfill loved her husband, and she never tried to make him a Minister; it was a well-balanced mind, save for that foible of power. He was very proud of her, though he rather wondered why she took so much trouble about other people's affairs. He owned a brewery, and was Chairman of a railway company.

Trix Trevalla had been no more than a month in London when she had the great good fortune to be taken up by Mrs. Bonfill. It was not everybody's luck. Mrs. Bonfill was particular; she refused hundreds, some for her own reasons, some because of the things Viola Blixworth might say. The Frickers, for example, failed in their assault on Mrs. Bonfill—or had up to now. Yet Mrs. Bonfill herself would have been good-natured to the Frickers.

'I can't expose myself to Viola by taking up the Frickers,' she explained to her husband, who had been not indisposed, for business reasons, to do Fricker a good turn. For Lady Blixworth, with no other qualities very striking to a casual observer, and with an appearance that the term 'elegant' did ample justice to, possessed a knack of describing people whom she did not like in a way that they did not like—a gift which made her respected and, on the whole, popular.