[5] Okakura-Kakuzo, The Book of Tea, p. 58: "Adjustment is Art."
[6] W. P., Vol. II, p. 13. See also Th. Gomperz, Greek Thinkers, Vol. I, p. 25. Speaking of interpretation, he says: "And this tendency was notably strengthened by the suspicious circumstances of external life, which awoke the desire for clearness, distinctness and a logical sequence of ideas."
[7] W. P., Vol. II, p. 21. See also Max Müller, Introduction to the Science of Religion, pp. 198-207, T. I., Part 10, Aph. 19.
[8] Hegel, in his Vorlesungen über Æsthetik (Vol. I, p. 406), says: "If we should wish to speak of the first appearance of symbolic Art as a subjective state, we should remember that artistic meditation in general, like religious meditation—or rather the two in one—and even scientific research, took their origin in wonderment."
[9] Hegel makes some interesting remarks on this point. See his Vorlesungen über Æsthetik, Vol. I, p. 319. He shows that the extreme regularity of gardens of the seventeenth century was indicative of their owners' masterful natures.
[10] W. P., Vol. II, p. 58. See also p. 11: "to 'understand' means simply this: to be able to express something new in the terms of something old or familiar."
[11] W. P., Vol. II, p. 88.
[12] W. P., Vol. II, p. 26: "The prerequisite of all living things and of their lives is: that there should be a large amount of faith, that it should be possible to pass definite judgments on things, and that there should be no doubt at all concerning values. Thus it is necessary that something should be assumed to be true, not that it is true."
[13] Felix Clay, The Origin of the Sense of Beauty, p. 95: "The mind or the eye, brought face to face with a number of disconnected and apparently different facts, ideas, shapes, sounds or objects, is bothered and uneasy; the moment that some central conception is offered or discovered by which they all fall into order, so that their due relation to one another can be perceived and the whole grasped, there is a sense of relief and pleasure which is very intense."
[14] W. P., Vol. II, p. 12.