"If you don't wish it, I will not."

"No;—I do not wish it. I don't think I ever saw moonlight so bright as this. Look at the lines of that window against the light. They are clearer than you ever see them in the day."

They were now standing just within the gateway of the old cruciform chapel, having entered the transept from a ruined passage which was supposed to have connected the church with the dormitory. The church was altogether roofless, but the entire walls were standing. The small clerestory windows of the nave were perfect, and the large windows of the two transepts and of the west end were nearly so. Of the opposite window, which had formed the back of the choir, very little remained. The top of it, with all its tracery, was gone, and three broken upright mullions of uneven heights alone remained. This was all that remained of the old window, but a transom or cross-bar of stone had been added to protect the carved stone-work of the sides, and save the form of the aperture from further ruin. That this transom was modern was to be seen from the magnificent height and light grace of the workmanship in the other windows, in which the long slender mullions rose from the lower stage or foundation of the whole up into the middle tracery of the arch without protection or support, and then lost themselves among the curves, not running up into the roof or soffit, and there holding on as though unable to stand alone. Such weakness as that had not as yet shown itself in English church architecture when Matching Priory was built.

The Priory Ruins.
Click to [ENLARGE]

"Is it not beautiful!" said Glencora. "I do love it so! And there is a peculiar feeling of cold about the chill of the moon, different from any other cold. It makes you wrap yourself up tight, but it does not make your teeth chatter; and it seems to go into your senses rather than into your bones. But I suppose that's nonsense," she added, after a pause.

"Not more so than what people are supposed to talk by moonlight."

"That's unkind. I'd like what I say on such an occasion to be more poetical or else more nonsensical than what other people say under the same circumstances. And now I'll tell you why I always think of you when I come here by moonlight."

"But I suppose you don't often come."

"Yes, I do; that is to say, I did come very often when we had the full moon in August. The weather wasn't like this, and I used to run out through the open windows and nobody knew where I was gone. I made him come once, but he didn't seem to care about it. I told him that part of the refectory wall was falling; so he looked at that, and had a mason sent the next day. If anything is out of order he has it put to rights at once. There would have been no ruins if all the Pallisers had been like him."