“No,” said Lotta. “I will not seem to run away from him. I have nothing to be ashamed of. If I choose to keep company with Fritz Planken, that should be nothing to Herr Crippel.”
“But you might have told him.”
“No; I could not tell him. And I am not sure Fritz is coming either. He said he would come with Carl if he had time. Never mind; let us be happy now. If a bad time comes by-and-by, we must make the best of it.”
Then the music began, and, suddenly, as the first note of a fiddle was heard, every voice in the great beer-hall of the Volksgarten became silent. Men sat smoking, with their long beer-glasses before them, and women sat knitting, with their long beer-glasses also before them, but not a word was spoken. The waiters went about with silent feet, but even orders for beer were not given, and money was not received. Herr Crippel did his best, working with his wand as carefully,—and I may say as accurately,—as a leader in a fashionable opera-house in London or Paris. But every now and then, in the course of the piece, he would place his fiddle to his shoulder and join in the performance. There was hardly one there in the hall, man or woman, boy or girl, who did not know, from personal knowledge and judgment, that Herr Crippel was doing his work very well.
“Excellent, was it not?” said Marie.
“Yes; he is a musician. Is it not a pity he should be so bald?” said Lotta.
“He is not so very bald,” said Marie.
“I should not mind his being bald so much, if he did not try to cover his old head with the side hairs. If he would cut off those loose straggling locks, and declare himself to be bald at once, he would be ever so much better. He would look to be fifty then. He looks sixty now.”
“What matters his age? He is forty-five, just; for I know. And he is a good man.”
“What has his goodness to do with it?”