Lotta Schmidt, and Other Stories

by Anthony Trollope

“I never heard him play better in my life than he has played to-night,” said Lotta.

“His hand is tired. He is getting old,” said Fritz. Then Lotta moved her chair and drew herself back, and was determined that Marie and Carl should see that she was angry with her young lover. In the meantime the piece of music had been finished, and the audience had shown their sense of the performer’s inferiority by withdrawing those plaudits which they were so ready to give when they were pleased.

After this some other musician led for awhile, and then Herr Crippel had to come forward to play a solo. And on this occasion the violin was not to be his instrument. He was a great favourite among the lovers of music in Vienna, not only because he was good at the fiddle and because with his bow in his hand he could keep a band of musicians together, but also as a player on the zither. It was not often now-a-days that he would take his zither to the music-hall in the Volksgarten; for he would say that he had given up that instrument; that he now played it only in private; that it was not fit for a large hall, as a single voice, the scraping of a foot, would destroy its music. And Herr Crippel was a man who had his fancies and his fantasies, and would not always yield to entreaty. But occasionally he would send his zither down to the public hall; and in the programme for this evening there had been put forth that Herr Crippel’s zither would be there and that Herr Crippel would perform. And now the zither was brought forward, and a chair was put for the zitherist, and Herr Crippel stood for a moment behind his chair and bowed. Lotta glanced up at him, and could see that he was very pale. She could even see that the perspiration stood upon his brow. She knew that he was trembling, and that he would have given almost his zither itself to be quit of his promised performance for that night. But she knew also that he would make the attempt.

“What! the zither?” said Fritz. “He will break down as sure as he is a living man.”

“Let us hope not,” said Carl Stobel.

“I love to hear him play the zither better than anything,” said Lotta.

“It used to be very good,” said Fritz; “but everybody says he has lost his touch. When a man has the slightest feeling of nervousness he is done for the zither.”

“H—sh; let him have his chance at any rate,” said Marie.

Reader, did you ever hear the zither? When played, as it is sometimes played in Vienna, it combines all the softest notes of the human voice. It sings to you of love and then wails to you of disappointed love, till it fills you with a melancholy from which there is no escaping,—from which you never wish to escape. It speaks to you as no other instrument ever speaks, and reveals to you with wonderful eloquence the sadness in which it delights. It produces a luxury of anguish, a fulness of the satisfaction of imaginary woe, a realisation of the mysterious delights of romance, which no words can ever thoroughly supply. While the notes are living, while the music is still in the air, the ear comes to covet greedily every atom of tone which the instrument will produce, so that the slightest extraneous sound becomes an offence. The notes sink and sink so low and low, with their soft sad wail of delicious woe, that the listener dreads that something will be lost in the struggle of listening. There seems to come some lethargy on his sense of hearing, which he fears will shut out from his brain the last, lowest, sweetest strain, the very pearl of the music, for which he has been watching with all the intensity of prolonged desire. And then the zither is silent, and there remains a fond memory together with a deep regret.

Herr Crippel seated himself on his stool and looked once or twice round about upon the room almost with dismay. Then he struck his zither, uncertainly, weakly, and commenced the prelude of his piece. But Lotta thought that she had never heard so sweet a sound. When he paused after a few strokes there was a noise of applause in the room, of applause intended to encourage by commemorating past triumphs. The musician looked again away from his music to his audience, and his eyes caught the eyes of the girl he loved; and his gaze fell also upon the face of the handsome, well-dressed, young Adonis who was by her side.