To those who know the outward types of his race there could be no doubt that Anton Trendellsohn was a very Jew among Jews. He was certainly a handsome man, not now very young, having reached some year certainly in advance of thirty, and his face was full of intellect. He was slightly made, below the middle height, but was well made in every limb, with small feet and hands, and small ears, and a well-turned neck. He was very dark — dark as a man can be, and yet show no sign of colour in his blood. No white man could be more dark and swarthy than Anton Trendellsohn. His eyes, however, which were quite black, were very bright. His jet-black hair, as it clustered round his ears, had in it something of a curl. Had it been allowed to grow, it would almost have hung in ringlets; but it was worn very short, as though its owner were jealous even of the curl. Anton Trendellsohn was decidedly a handsome man; but his eyes were somewhat too close together in his face, and the bridge of his aquiline nose was not sharply cut, as is mostly the case with such a nose on a Christian face. The olive oval face was without doubt the face of a Jew, and the mouth was greedy, and the teeth were perfect and bright, and the movement of the man's body was the movement of a Jew.
This is not the typical description of the romantic hero of a Victorian novel. Even so, Trollope's description of Anton is less derogatory than his description of Ezekiel Brehgert, a character in a later novel, The Way We Live Now:
He was a fat, greasy man, good-looking in a certain degree, about fifty, with hair dyed black, and beard and moustache dyed a dark purple colour. The charm of his face consisted in a pair of very bright black eyes, which were, however, set too near together in his face for the general delight of Christians. He was stout fat all over rather than corpulent and had that look of command in his face which has become common to master-butchers, probably by long intercourse with sheep and oxen.
The case for Trollope being anti-semitic is harder to support, however, when one considers the behavior of his Jewish characters. Brehgert, whose physical description above is stereotypic, is one of the few characters in The Way We Live Now whose actions are completely honorable. Trollope wrote 16 novels before Nina Balatka; only two of those contain Jewish characters. The first, who plays a minor role in Orley Farm (1862), is Soloman Aram, an attorney — a Victorian Rumpole — known for defending the accused at the Old Bailey. His skill is needed to defend Lady Mason against a charge of perjury, much to the distaste of her Christian advisors. He acts with dignity and shows great consideration for the personal comfort of Lady Mason during her trial. The second Jewish character in Trollope's novels was Mr. Hart, a London tailor who runs for a seat in Parliament in Rachel Ray (1863). This served no purpose in the plot; the situation probably was included because legislation to allow Jews to serve in Parliament had been passed only five years before, and the issue was still one of public discussion. Mr. Hart's appearance is brief; he speaks only one or two lines, and the reader is not told enough about him to judge his character. Trollope describes him thus:
. . . and then the Jewish hero, the tailor himself, came among them, and astonished their minds by the ease and volubility of his speeches. He did not pronounce his words with any of those soft slushy Judaic utterances by which they had been taught to believe he would disgrace himself. His nose was not hookey, with any especial hook, nor was it thicker at the bridge than was becoming. He was a dapper little man, with bright eyes, quick motion, ready tongue, and a very new hat. It seemed that he knew well how to canvass. He had a smile and a good word for all — enemies as well as friends.
In that novel, Trollope, himself, comments on prejudice and bigotry:
. . . Mrs. Ray, in her quiet way, expressed much joy that Mr. Comfort's son-in-law should have been successful, and that Baslehurst should not have disgraced itself by any connection with a Jew. To her it had appeared monstrous that such a one should have been even permitted to show himself in the town as a candidate for its representation. To such she would have denied all civil rights, and almost all social rights. For a true spirit of persecution one should always go to a woman; and the milder, the sweeter, the more loving, the more womanly the woman, the stronger will be that spirit within her. Strong love for the thing loved necessitates strong hatred for the thing hated, and thence comes the spirit of persecution. They in England who are now keenest against the Jews, who would again take from them rights that they have lately won, are certainly those who think most of the faith of a Christian. The most deadly enemies of the Roman Catholics are they who love best their religion as Protestants. When we look to individuals we always find it so, though it hardly suits us to admit as much when we discuss these subjects broadly. To Mrs. Ray it was wonderful that a Jew should have been entertained in Baslehurst as a future member for the borough, and that he should have been admitted to speak aloud within a few yards of the church tower!
Nina Balatka presents a sharp contrast between the behaviors of the Jewish and Christian characters. Nina and her father Josef Balatka live on the edge of poverty; he was cheated out of his business by his Christian brother-in-law, who is now wealthy. Josef's only source of money was to sell his house to Anton Trendellsohn's father, who for many years has allowed Josef and Nina to remain in the house without paying any rent. Nina's Christian relatives use every form of deceit in their attempt to turn Anton against Nina. Nina's Aunt Sophie spews invective in every direction. She tells Nina, "Impudent girl! — brazen-faced, impudent, bad girl! Do you not know that you would bring disgrace upon us all?" To Nina's father she says, "Tell me that at once, Josef, that I may know. Has she your sanction for — for — for this accursed abomination?" To her husband she says, "Oh, I hate them! I do hate them! Anything is fair against a Jew." And during a meeting with Anton she exclaims, "How dares he come here to talk of his love? It is filthy — it is worse than filthy — it is profane."
Anton's family also opposes the marriage, but Anton's father's behavior toward Nina is in sharp contrast to that of her aunt:
The old man's heart was softened towards her. He could not bring himself to say a word to her of direct encouragement, but he kissed her before she went, telling her that she was a good girl, and bidding her have no care as to the house in the Kleinseite. As long as he lived, and her father, her father should not be disturbed.