[447] Kircher, Ædip., t. i., p. 172, et t. ii., p. 200.
[448] Maimon., More Nevoch., i., part., c. 70.
[449] Salmas, Ann. Climat., Præf., p. 32.
[450] Homer, Odyss., K. v. 494; Diodor. Sic., l. v., c. 6; Plin., l. vii., c. 56; Plutar., De Oracul. Defect., p. 434.
[451] Horat., Sat., v., l. ii., v. 59.
[452] Hierocl., In Aurea Carm., v. 31.
[453] Alcibiad., i. et ii.; Lachès, etc.
[454] In Alcibiad., i.
[455] Voyez Burette, Mém. de l’Acad. des Belles-Lett., t. v.; Laborde, Essai sur la Musique, t. i., introd., p. 20.
Our painters have hardly treated Greek painting better; and perhaps if the Pythian Apollo and the Chaste Venus had not again astonished Europe, but had disappeared as did the masterpieces of Polygnotus and of Zeuxis, the modern sculptors would have said that the ancients failed as much in pattern as in colouring.