"Thanks. But I confess I don't care much for wasting time on trifles."
In addition to coffin-making Yakob drew a small income from his skill with the fiddle. At weddings in the town there usually played a Jewish orchestra, the conductor of which was the tinsmith Moses Hitch Shakhkes, who kept more than half the takings for himself. As Yakob played very well upon the fiddle, being particularly skilful with Russian songs, Shakhkes sometimes employed him in the orchestra, paying him fifty kopecks a day, exclusive of gifts from the guests. When Bronza sat in the orchestra he perspired and his face grew purple; it was always hot, the smell of garlic was suffocating; the fiddle whined, at his right ear snored the double-bass, at his left wept the flute, played by a lanky, red-haired Jew with a whole network of red and blue veins upon his face, who bore the same surname as the famous millionaire Rothschild. And even the merriest tunes this accursed Jew managed to play sadly. Without any tangible cause Yakob had become slowly penetrated with hatred and contempt for Jews, and especially for Rothschild; he began with irritation, then swore at him, and once even was about to hit him; but Rothschild flared up, and, looking at him furiously, said:
"If it were not that I respect you for your talents, I should send you flying out of the window."
Then he began to cry. So Bronza was employed in the orchestra very seldom, and only in cases of extreme need when one of the Jews was absent.
Yakob had never been in a good humour. He was always overwhelmed by the sense of the losses which he suffered. For instance, on Sundays and saints' days it was a sin to work, Monday was a tiresome day—and so on; so that in one way or another, there were about two hundred days in the year when he was compelled to sit with his hands idle. That was one loss! If anyone in the town got married without music, or if Shakhkes did not employ Yakob, that was another loss. The Inspector of Police was ill for two years, and Yakob waited with impatience for his death, yet in the end the Inspector transferred himself to the government town for the purpose of treatment, where he got worse and died. There was another loss, a loss at the very least of ten roubles, as the Inspector's coffin would have been an expensive one lined with brocade. Regrets for his losses generally overtook Yakob at night; he lay in bed with the fiddle beside him, and, with his head full of such speculations, would take the bow, the fiddle giving out through the darkness a melancholy sound which made Yakob feel better.
On the sixth of May last year Marfa was suddenly taken ill. She breathed heavily, drank much water and staggered. Yet next morning she lighted the stove, and even went for water. Towards evening she lay down. All day Yakob had played on the fiddle, and when it grew dark he took the book in which every day he inscribed his losses, and from want of something better to do, began to add them up. The total amounted to more than a thousand roubles. The thought of such losses so horrified him that he threw the book on the floor and stamped his feet. Then he took up the book, snapped his fingers, and sighed heavily. His face was purple, and wet with perspiration. He reflected that if this thousand roubles had been lodged in the bank the interest per annum would have amounted to at least forty roubles. That meant that the forty roubles were also a loss. In one word, whenever you turn, everywhere you meet with loss, and profits none.
"Yakob," cried Marfa unexpectedly, "I am dying."
He glanced at his wife. Her face was red from fever and unusually clear and joyful; and Bronza, who was accustomed to see her pale, timid, and unhappy-looking, felt confused. It seemed as if she were indeed dying, and were happy in the knowledge that she was leaving for ever the cabin, the coffins, and Yakob. And now she looked at the ceiling and twitched her lips, as if she had seen Death her deliverer, and were whispering with him.
Morning came; through the window might be seen the rising of the sun. Looking at his old wife, Yakob somehow remembered that all his life he had never treated her kindly, never caressed her, never pitied her, never thought of buying her a kerchief for her head, never carried away from the weddings a piece of tasty food, but only roared at her, abused her for his losses, and rushed at her with shut fists. True, he had never beaten her, but he had often frightened her out of her life and left her rooted to the ground with terror. Yes, and he had forbidden her to drink tea, as the losses without that were great enough; so she drank always hot water. And now, beginning to understand why she had such a strange, enraptured face, he felt uncomfortable.
When the sun had risen high he borrowed a cart from a neighbour, and brought Marfa to the hospital. There were not many patients there, and he had to wait only three hours. To his joy he was received not by the doctor but by the feldscher, Maxim Nikolaitch, an old man of whom it was said that, although he was drunken and quarrelsome, he knew more than the doctor.