Then she began asking me where I was working now, how much I earned, where I lived.
"Do you spend on yourself nothing but what you earn?" she asked.
"No."
"Happy man!" she sighed. "All the evil in life, it seems to me, comes from idleness, boredom, and spiritual emptiness, and all this is inevitable when one is accustomed to living at other people's expense. Don't think I am showing off, I tell you truthfully: it is not interesting or pleasant to be rich. 'Make to yourselves friends of the mammon of unrighteousness' is said, because there is not and cannot be a mammon that's righteous."
She looked round at the furniture with a grave, cold expression, as though she wanted to count it over, and went on:
"Comfort and luxury have a magical power; little by little they draw into their clutches even strong-willed people. At one time father and I lived simply, not in a rich style, but now you see how! It is something monstrous," she said, shrugging her shoulders; "we spend up to twenty thousand a year! In the provinces!"
"One comes to look at comfort and luxury as the invariable privilege of capital and education," I said, "and it seems to me that the comforts of life may be combined with any sort of labour, even the hardest and dirtiest. Your father is rich, and yet he says himself that it has been his lot to be a mechanic and an oiler."
She smiled and shook her head doubtfully: "My father sometimes eats bread dipped in kvass," she said. "It's a fancy, a whim!"
At that moment there was a ring and she got up.
"The rich and well-educated ought to work like everyone else," she said, "and if there is comfort it ought to be equal for all. There ought not to be any privileges. But that's enough philosophizing. Tell me something amusing. Tell me about the painters. What are they like? Funny?"