“He is on the top shelf,” whispered the superintendent’s wife, turning paler than ever and trembling.
Dyukovsky took the candle-end in his hand and climbed up to the upper shelf. There he saw a long, human body, lying motionless on a big feather bed. The body emitted a faint snore. . . .
“They have made fools of us, damn it all!” Dyukovsky cried. “This is not he! It is some living blockhead lying here. Hi! who are you, damnation take you!”
The body drew in its breath with a whistling sound and moved. Dyukovsky prodded it with his elbow. It lifted up its arms, stretched, and raised its head.
“Who is that poking?” a hoarse, ponderous bass voice inquired. “What do you want?”
Dyukovsky held the candle-end to the face of the unknown and uttered a shriek. In the crimson nose, in the ruffled, uncombed hair, in the pitch-black moustaches of which one was jauntily twisted and pointed insolently towards the ceiling, he recognised Cornet Klyauzov.
“You. . . . Mark . . . Ivanitch! Impossible!”
The examining magistrate looked up and was dumbfoundered.
“It is I, yes. . . . And it’s you, Dyukovsky! What the devil do you want here? And whose ugly mug is that down there? Holy Saints, it’s the examining magistrate! How in the world did you come here?”
Klyauzov hurriedly got down and embraced Tchubikov. Olga Petrovna whisked out of the door.