She looked at herself in the looking-glass, and tossed her head several times to make the beads jingle. And then she opened a chest and began taking out, first, a cotton dress with red and blue flowers on it, and then a red one with flounces which rustled and crackled like paper, then a new kerchief, dark blue, shot with many colours—and all these things she showed and flung up her hands, laughing as though astonished that she had such treasures.
Kalashnikov tuned the balalaika and began playing it, but Yergunov could not make out what sort of song he was singing, and whether it was gay or melancholy, because at one moment it was so mournful he wanted to cry, and at the next it would be merry. Merik suddenly jumped up and began tapping with his heels on the same spot, then, brandishing his arms, he moved on his heels from the table to the stove, from the stove to the chest, then he bounded up as though he had been stung, clicked the heels of his boots together in the air, and began going round and round in a crouching position. Lyubka waved both her arms, uttered a desperate shriek, and followed him. At first she moved sideways, like a snake, as though she wanted to steal up to someone and strike him from behind. She tapped rapidly with her bare heels as Merik had done with the heels of his boots, then she turned round and round like a top and crouched down, and her red dress was blown out like a bell. Merik, looking angrily at her, and showing his teeth in a grin, flew towards her in the same crouching posture as though he wanted to crush her with his terrible legs, while she jumped up, flung back her head, and waving her arms as a big bird does its wings, floated across the room scarcely touching the floor. . . .
“What a flame of a girl!” thought Yergunov, sitting on the chest, and from there watching the dance. “What fire! Give up everything for her, and it would be too little . . . .”
And he regretted that he was a hospital assistant, and not a simple peasant, that he wore a reefer coat and a chain with a gilt key on it instead of a blue shirt with a cord tied round the waist. Then he could boldly have sung, danced, flung both arms round Lyubka as Merik did. . . .
The sharp tapping, shouts, and whoops set the crockery ringing in the cupboard and the flame of the candle dancing.
The thread broke and the beads were scattered all over the floor, the green kerchief slipped off, and Lyubka was transformed into a red cloud flitting by and flashing black eyes, and it seemed as though in another second Merik’s arms and legs would drop off.
But finally Merik stamped for the last time, and stood still as though turned to stone. Exhausted and almost breathless, Lyubka sank on to his bosom and leaned against him as against a post, and he put his arms round her, and looking into her eyes, said tenderly and caressingly, as though in jest:
“I’ll find out where your old mother’s money is hidden, I’ll murder her and cut your little throat for you, and after that I will set fire to the inn. . . . People will think you have perished in the fire, and with your money I shall go to Kuban. I’ll keep droves of horses and flocks of sheep. . . .”
Lyubka made no answer, but only looked at him with a guilty air, and asked:
“And is it nice in Kuban, Merik?”