The friends went into a narrow passage lighted by a lamp with a reflector. When they opened the door a man in a black coat, with an unshaven face like a flunkey’s, and sleepy-looking eyes, got up lazily from a yellow sofa in the hall. The place smelt like a laundry with an odor of vinegar in addition. A door from the hall led into a brightly lighted room. The medical student and the artist stopped at this door and, craning their necks, peeped into the room.
“Buona sera, signori, rigolleto—hugenotti—traviata!” began the artist, with a theatrical bow.
“Havanna—tarakano—pistoleto!” said the medical student, pressing his cap to his breast and bowing low.
Vassilyev was standing behind them. He would have liked to make a theatrical bow and say something silly, too, but he only smiled, felt an awkwardness that was like shame, and waited impatiently for what would happen next.
A little fair girl of seventeen or eighteen, with short hair, in a short light-blue frock with a bunch of white ribbon on her bosom, appeared in the doorway.
“Why do you stand at the door?” she said. “Take off your coats and come into the drawing-room.”
The medical student and the artist, still talking Italian, went into the drawing-room. Vassilyev followed them irresolutely.
“Gentlemen, take off your coats!” the flunkey said sternly; “you can’t go in like that.”
In the drawing-room there was, besides the girl, another woman, very stout and tall, with a foreign face and bare arms. She was sitting near the piano, laying out a game of patience on her lap. She took no notice whatever of the visitors.
“Where are the other young ladies?” asked the medical student.