Eight days afterwards, Don Alfonso arrived in Leon, and again took possession of the kingdom which his brother had usurped from him; the kingdom of Galicia then spontaneously placed itself under his sway, for no one desired the liberty of Don Garcia, who was detested on account of his ungovernable, tyrannical, and foolish character. He was then preparing to set out for Burgos, to take possession of the kingdom of Castile, but when this became known, the Castilian grandees assembled together, at the earnest request of Rodrigo Diaz, who thus addressed them:—

"I have always considered Don Alfonso an honourable man, and Castile by right belongs to him; but as connivance in the death of Don Sancho can be attributed to no one with greater probability than to him, I am of opinion that the Castilian people should demand an oath from him that he had no part whatever in the treacherous crime of Bellido Dolfos. Castile is held in the highest honour, and for that very reason it has a right to know if he is an honourable man, whom it proclaims its lord and king. It is necessary, then, that Don Alfonso should swear that he had no part in the death of his brother."

All the nobles approved of the views of the Cid, but all trembled at the idea of the vexation which the demand of an oath, that implied a highly offensive suspicion, would cause to Don Alfonso.

"And who will dare to draw down upon himself the indignation of Don Alfonso by exacting such an oath from him?" many asked.

"I!" answered the Cid, with generous pride. "In addition to being a subject of Don Alfonso, I am a Castilian and a cavalier, and it is my duty to risk death, in order to preserve immaculate the honour of my native land. I have always looked upon Don Alfonso as an honourable and good man; but I also know to what extent men are blinded by ambition and the thirst for vengeance. I would venture to swear by all that I love most in the world that it was the Count of Carrion, with his partisans, whom I saw at the time at Zamora, that spurred on Bellido to assassinate Don Sancho; but how can I have complete confidence that they were not, beforehand, instigated by Don Alfonso, especially when Doña Urraca reminded me, before the commencement of the siege of Zamora, that Don Alfonso was free, and that, if she was too powerless to fight face to face with Don Sancho, daggers could reach where swords could not avail? Let Don Alfonso come to Castile; I shall exact the oath from him, and when he shall have taken it, I shall be the first to kneel before him, in acknowledgment of the vasalage which I owe him. The land which was ruled over by the Count Fernan Gonzalez, and by Don Fernando the Great, must only have as its king a man as loyal and honourable as they were."

In a short time the resolve of the Cid had spread through Burgos, and even through the entire of Castile, and this gained for him, in the eyes of all the Castilians, a title to their love, as great as that which he had ever gained by the most glorious of his triumphs on battlefields. On the same day on which he had arranged with the nobles to demand the oath from Don Alfonso, the brave and loyal cavalier was surrounded by his family, delivering himself up to domestic happiness, which for him was the sweetests of delights. Rodrigo was born in an age when, in order to be a good son, a good husband, and a good father, it was also necessary that a man should be a good soldier; for the latter quality figured amongst the greatest virtues. For that reason he passed the greater portion of his life in the din of combats; but how can it be conceived that a man could prefer the barbarous charms of war to the sweetnesses of domestic peace, who always appears in history with the names of his spouse and of his daughters on his lips, weeping when separating from them, and loading with gifts and affection those who protected his Ximena, his Sol, and his Elvira? A Castilian artist, an enthusiastic admirer of the Cid, the popular hero of Castile, has painted Rodrigo Diaz in the following manner: the Cid has his left arm thrown around the necks of Sol and Elvira, and his right arm around that of Ximena; from his belt hangs his formidable sword, and before them stands Babieca, ready caparisoned to set out for the battlefield.

That picture is the complete history of the Cid Campeador. It is as interesting as the one which Rodrigo Diaz and his family presented on the day which we have mentioned. It was a beautiful evening in spring: the background of the enchanting picture was formed by the modest garden belonging to the mansion, in Burgos, of the lords of Vivar. Rodrigo was seated under a tree covered with foliage, and was caressing a golden-haired child, that was jumping on his knees, whose name also was Rodrigo, and was his first-born. By his side were Ximena, Teresa Nuña, Lambra, and Mayor, occupied with work suited to their sex; opposite was the venerable Diego Lainez, who had been entertaining all of them, for a considerable time, with a curious story of chivalry, connected with one of his ancestors; and finally, was to be seen Gil, the Moorish boy, adopted by Rodrigo in the mountains of Oca, who was now approaching manhood, and was the idol of the family, by reason of his discretion, his beauty, and the generous instincts which he displayed.

"It is good," said Diego, "that the remembrance of deeds, such as those which I have just related, should pass down from father to son; that is why I have often recounted to you those of Lain Calvo, who was my father. Would to God that we had in Castile some that were capable of chronicling the heroic deeds of those who wielded lance and sword, but in that we are less fortunate than the Greeks and Romans."

"You are right," replied Rodrigo. "Oral tradition easily distorts real facts, and it is a sad thing that the deeds of a loyal and valiant age of chivalry should traverse the centuries, confided to the folly of the ignorant crowd."

"Then it must not be the ignorant multitude that shall perpetuate your brave deeds; if God permits me to become a man!" exclaimed Gil, he who afterwards composed the Chronicle of the famous cavalier, Rodrigo Diaz de Vivar.