The light was fading in Giovanni Selva’s study, and on the little table covered with books and papers. Giovanni rose and opened the west window. The horizon was on fire behind Subiaco, along the oblique line of the Sabine hills, which stretch from Rocca di Canterano and Rocca di Mezzo to Rocca San Stefano. Subiaco, that pointed pile of houses large and small which culminates in the Rocca del Cardinale, was veiled in shadow; not a branch stirred on the olives clustered behind the small, red villa with green blinds, rising on the summit of the circular cliff, round whose base winds the public road; not a branch stirred on the great oak beside it, overhanging the little ancient oratory of Santa Maria della Febbre. The air, laden with the odours of wild herbs and recent rain, came fresh from Monte Calvo. It was a quarter past seven. In the shell-shaped tract watered by the Anio the bells were ringing; first the big bell of Sant’ Andrea, then the querulous bells of Santa Maria della Valle; high up on the right, from the little white church near the great wood, the bells of the Capuchins, and others in the far-away distance. A woman’s voice, submissive and sweet, the voice of five and twenty, came from the half-open, door behind Giovanni, saying almost timidly In French:
“May I come in?”
Giovanni, smiling, turned half round, and stretching out his arm, encircled the young woman pressing her to his side without answering.
She felt she must not speak; that her husband’s soul was following the dying night, and the mystic song of the bells. She rested her head on his shoulder, and only after a moment of religious silence did she ask softly;
“Shall we say our prayer?”
A pressure of the arm encircling her was the answer. Neither her lips nor his moved. Only the eyes of both dilated, straining towards the Infinite, and assumed that look of reverence and sadness which mirrors the thoughts that remain unspoken, the uncertain future, the dark portals which lead to God. The bells became silent, and Signora Selva, fixing her blue eyes on her husband’s eager gaze, offered him her lips. The man’s snowy head and the woman’s fair face met in a long kiss which would have filled the world with astonishment. Maria d’Arxel, at one and twenty, had fallen In love with Giovanni Selva after having read one of his books on religious philosophy, translated into French. She wrote to the unknown author in such ardent words of admiration, that Selva, in answering, alluded to his fifty-six years and his white hair. The girl replied that she was aware of both, that she neither offered nor asked for love, she only craved a few lines from time to time. Her letters sparkled with brilliant intellect. They came to Selva when he was passing through a dark crisis, a bitter struggle, which need not be related here. He thought this Maria d’Arxel might prove his saving star. He wrote to her again.
“Do you know what anniversary this is?” asked Maria. “Do you remember?”
Giovanni remembered; it was the anniversary of their first meeting. During the correspondence the two had bared the very depths of their souls to one another in an inexpressible fervour of sincerity, while as yet unacquainted save by means of portraits. After they had exchanged four or five letters, Giovanni asked his unknown correspondent for her likeness; a request she had expected and dreaded. The girl consented on condition of a speedy restitution of the photograph, and was in agony until it was returned, accompanied by some very tender words from her friend. He was charmed with the intellectual, passionate, and youthful face, with the sweetness of the great eyes, with the symmetry of the figure. Then when they had arranged to meet, he coming from the Lake of Como, she from Brussels to Hergyswyl near Lucerne, both had been in a fever of apprehension. She reflected:
“The portrait pleased him, but the bearing of the real person, a line, the colour of the garments, the manner of meeting, the first words, the tone of voice, may perhaps destroy his love at one blow.”
He thought: