It is hoped that this new issue of Mrs. Behn may prove adequate. Any difficulties in the editing have been more than amply compensated for by the interest shown by many friends. Foremost, my best thanks are due to Mr. Bullen, whose life-long experience of the minutiæ of editing our best dramatic literature, has been ungrudgingly at my service throughout, to the no small advantage of myself and my work. Mr. Edmund Gosse, C.B., has shown the liveliest interest in the book from its inception, and I owe him most grateful recognition for his kindly encouragement and aid. Nay, more, he did not spare to lend me treasured items from his library so rich in first, and boasting unique, editions of Mrs. Behn. Mr. G. Thorn Drury, K.C., never wearied of answering my enquiries, and in discussion solved many a knotty point. To him I am obliged for the transcript of Mrs. Behn’s letter to Waller’s daughter-in-law, and also the Satire on Dryden. He even gave of his valuable time to read through the Memoir and from the superabundance of his knowledge made suggestions of the first importance. The unsurpassed library of Mr. T. J. Wise, the well-known bibliographer, was freely at my disposal. In other cases where I have received any assistance in clearing a difficulty I have made my acknowledgement in the note itself.
[MEMOIR OF MRS. BEHN.]
The personal history of Aphra Behn, the first Englishwoman to earn her livelihood by authorship, is unusually interesting but very difficult to unravel and relate. In dealing with her biography writers at different periods have rushed headlong to extremes, and we now find that the pendulum has swung to its fullest stretch. On the one hand, we have prefixed to a collection of the Histories and Novels, published in 1696, ‘The Life of Mrs. Behn written by one of the Fair Sex’, a frequently reprinted (and even expanded) compilation crowded with romantic incidents that savour all too strongly of the Italian novella, with sentimental epistolography and details which can but be accepted cautiously and in part. On the other there have recently appeared two revolutionary essays by Dr. Ernest Bernbaum of Harvard, ‘Mrs. Behn’s Oroonoko’, first printed in Kittredge Anniversary Papers, 1913; and—what is even more particularly pertinent—’Mrs. Behn’s Biography a Fiction,’ Publications of the Modern Language Association of America, xxviii, 3: both afterwards issued as separate pamphlets, 1913. In these, the keen critical sense of the writer has apparently been so jarred by the patent incongruities, the baseless fiction, nay, the very fantasies (such as the fairy pavilion seen floating upon the Channel), which, imaginative and invented flotsam that they are, accumulated and were heaped about the memory of Aphra Behn, that he is apt to regard almost every record outside those of her residence at Antwerp[1] with a suspicion which is in many cases surely unwarranted and undue. Having energetically cleared away the more peccant rubbish, Dr. Bernbaum became, it appears to us, a little too drastic, and had he then discriminated rather than swept clean, we were better able wholly to follow the conclusions at which he arrives. He even says that after ‘1671’[2] when ‘she began to write for the stage ... such meagre contemporary notices as we find of her are critical rather than biographical’. This is a very partial truth; from extant letters,[3] to which Dr. Bernbaum does not refer, we can gather much of Mrs. Behn’s literary life and circumstances. She was a figure of some note, and even if we had no other evidence it seems impossible that her contemporaries should have glibly accepted the fiction of a voyage to Surinam and a Dutch husband named Behn who had never existed.
Ayfara, or Aphara[4] (Aphra), Amis or Amies, the daughter of John and Amy Amis or Amies, was baptized together with her brother Peter in the Parish Church of SS. Gregory and Martin, Wye, 10 July, 1640, presumably by Ambrose Richmore, curate of Wye at that date.[5] Up to this time Aphra’s maiden name has been stated to be Johnson, and she is asserted to have been the daughter of a barber, John Johnson. That the name was not Johnson (an ancient error) is certain from the baptismal register, wherein, moreover, the ‘Quality, Trade, or Profession’ is left blank; that her father was a barber rests upon no other foundation than a MS. note of Lady Winchilsea.[6] Mr. Gosse, in a most valuable article (Athenæum, 6 September, 1884), was the first to correct the statement repeatedly made that Mrs. Behn came from ‘the City of Canterbury in Kent’. He tells how he acquired a folio volume containing the MS. poems of Anne, Countess of Winchilsea,[7] ‘copied about 1695 under her eye and with innumerable notes and corrections in her autograph’. In a certain poem entitled The Circuit of Apollo[8] the following lines occur:—
And standing where sadly he now might descry
From the banks of the Stowre the desolate Wye,
He lamented for Behn, o’er that place of her birth,
And said amongst Women there was not on the earth,
Her superior in fancy, in language, or witt,
Yet own’d that a little too loosely she writt.
To these is appended this note: ‘Mrs. Behn was Daughter to a Barber, who liv’d formerly in Wye, a little Market Town (now much decay’d) in Kent. Though the account of her life before her Works pretends otherwise; some Persons now alive Do testify upon their Knowledge that to be her Original.’ It is a pity that whilst the one error concerning Aphra’s birthplace is thus remedied, the mistake as to the nature of her father’s calling should have been initiated.
Aphra Amis, then, was born early in July, 1640, at Wye, Kent. When she was of a tender age the Amis family left England for Surinam; her father, who seems to have been a relative of Francis, Lord Willoughby of Parham, sometime administrator of several British colonies in the West Indies, having been promised a post of some importance in these dependencies. John Amis died on the voyage out, but his widow and children necessarily continued their journey, and upon their arrival were accommodated at St. John’s Hill, one of the best houses in the district. Her life and adventures in Surinam Aphra has herself realistically told in that wonderfully vivid narrative, Oroonoko. [9] The writer’s bent had already shown itself. She kept a journal as many girls will, she steeped herself in the interminable romances fashionable at that time, in the voluminous Pharamond, Cléopatre, Cassandre, Ibrahim, and, above all, Le Grand Cyrus, so loved and retailed to the annoyance of her worthy husband by Mrs. Pepys; with a piece of which Dorothy Osborne was ‘hugely pleased’.
It was perhaps from the reading of La Calprenède and Mlle de Scudéri Aphra gained that intimate knowledge of French which served her well and amply in after years during her literary life; at any rate she seems early to have realized her dramatic genius and to have begun a play drawn from one of the most interesting episodes in Cléopatre, the love story of the Scythian King Alcamène, scenes which, when they had ‘measured three thousand leagues of spacious ocean’, were, nearly a quarter of a century later, to be taken out of her desk and worked up into a baroque and fanciful yet strangely pleasing tragi-comedy, The Young King.
In Surinam she witnessed the fortunes and fate of the Royal Slave, Oroonoko, of whom she writes (with all due allowance for pardonable exaggeration and purely literary touches), so naturally and feelingly, that ‘one of the Fair Sex’ with some acerbity makes it her rather unnecessary business to clear Aphra from any suspicion of a liaison. It was Surinam which supplied the cognate material for the vivid comedy, the broad humour and early colonial life, photographic in its realism, of The Widow Ranter; or, The History of Bacon in Virginia. Mistakes there may be, errors and forgetfulness, but there are a thousand touches which only long residence and keen observation could have so deftly characterized.
We now approach a brief yet important period in Mrs. Behn’s life, which unless we are content to follow (with an acknowledged diffidence and due reservations) the old Memoir and scattered tradition, we find ourselves with no sure means whatsoever of detailing. It seems probable, however, that about the close of 1663, owing no doubt to the Restoration and the subsequent changes in affairs, the Amis family returned to England, settling in London, where Aphra, meeting a merchant of Dutch extraction named Behn, so fascinated him by her wit and comeliness that he offered her his hand and fortune. During her married life she is said to have been in affluence, and even to have appeared at the gay licentious Court, attracting the notice of and amusing the King himself by her anecdotes and cleverness of repartee; but when her husband died, not impossibly of the plague in the year of mortality, 1665, she found herself helpless, without friends or funds. In her distress it was to the Court she applied for assistance; and owing to her cosmopolitan experience and still more to the fact that her name was Dutch, and that she had been by her husband brought into close contact with the Dutch, she was selected as a meet political agent to visit Holland and there be employed in various secret and semi-official capacities. The circumstance that her position and work could never be openly recognized nor acknowledged by the English government was shortly to involve her in manifold difficulties, pecuniary and otherwise, which eventually led to her perforce abandoning so unstable and unsatisfactory a commission.