p. 345, l. 5 This fine. 1724 prints this speech as prose.
p. 346, l. 11 with Silvio and. I have added these three words to the stage direction.
p. 348, l. 15 with Phillipa. I have added an entrance for Philiipa here, although it is not marked in the former editions, as later in the scene she speaks to Cornelia, and obviously must be in attendance on her in the balcony.
p. 349, l. 6 so good. 1724 omits these words.
p. 350, l. 9 Exit Crap. I have added Crapine’s exit here as he re-enters anon with Octavio, and his exit is required by the business of the scene.
p. 351, l. 6 false-souled. Both 4to 1679 and 1724 read’false souly’, which I have ventured to alter.
p. 352, l. 12 They are going. 4to 1679 and 1724 both read ‘They go out…’, but it is obvious from Galliard and Fillamour’s conversation with Tickletext that they do not actually leave the stage, as also from the direction later ‘Offering to go.’
p. 352, l. 13 Aside. 4to 1679 and 1724 both read ‘Aside to Mar.’ An obvious mistake.
p. 352, l. 18 Exit. Both 4to 1679 and 1724 have ‘Exeunt.’ We may suppose Phillipa to have entered with Marcella and the former direction to be ‘Aside to Phil.’ but it seems more in accordance with the scene to make these two slight changes.
p. 354, l. 22 Exeunt Fil. and Gal. 4to adds ‘and Lau.’ but the 1724 ’.xit’ at the end of her next speech is obviously correct.