In Post-Restoration days a ballad sung in the streets by two persons was frequently called a Jig, presumably because it was a ‘song in dialogue’. Numerous examples are to be found amongst the Roxburgh Ballads.
The Jig introduced in Sir Timothy Tawdrey would seem to have been the simple dance although not improbably an epithalamium was also sung.
p. 44 an Entry. A dance which derived its name from being performed at that point in a masque when new actors appeared. In Crowne’s The Country Wit (1675) Act iii, I, there is a rather stupid play on this sense of the word confounded with its meaning ‘a hall or lobby’.
p. 63 Cracking. Prostitution. A rare substantive, although ‘Crack’, whence it is derived, was common, cf. p. 93 and note.
p. 65 Cater-tray. cater = quatre. The numbers four and three on dice or cards. This term was used generally as a cant name for dice; often for cogged or loaded dice.
p. 69 She cries Whore first. In allusion to the old proverb—cf. The Feign’d Courtezans, Act v, iv, Vol. II, p. 409, when Mr. Tickletext on his discovery appeals to the same saw.
p. 81 Berjere. A very favourite word with Mrs. Behn. Vide Vol. II, note (p. 346, The hour of the Berjere), p. 441 The Feigned Courtezans.
p. 93 Cracks. Whores. As early as 1678 ‘Crack’ is the proper name of a whore in Tunbridge Wells, an anonymous comedy played at the Duke’s House, cf. D’Urfey, Madam Fickle (1682), Act v, ii, when Flaile says: ’.’have killed a Mon yonder, He that you quarrell’d with about your Crack there.’ Farquhar, Love and a Bottle (1698), Act v, ii, has: ‘You imagine I have got your whore, cousin, your crack.’ Grose, Dict. Vulgar Tongue, gives the word, and it is also explained by the Lexicon Balatronicum (1811). It was, in fact, in common use for over an hundred years.
p. 94 Mr. E.R. i.e. Edward Ravenscroft.