“‘Does your Excellency begin to digest?’ she says to the minister of an ecclesiastical court.
“‘I have the honour to inform your Excellency,’ he answers, ‘that I perspire from eight o’clock in the evening till ten, and that I sweat completely from ten till midnight. If I had not so much business to transact for his Grace, I should be entirely cured by the treatment.’”
Hélène returned to Spa in 1783, and met there Madame de Sabran, born a d’Andlau,[38] who became later the Marquise de Boufflers. She was one of the most charming women of her time, and pleased every one who saw her by her appearance, her elegance, and the kindliness of her nature. She was accompanied by her little son, Elzéar de Sabran, who little thought of the part he was destined to play in politics later on; for the present, he contented himself with learning the part of Chérubin in the Mariage de Figaro, the Princesse Charles studying Suzanne, and Madame de Sabran the part of the Countess, for after the return from Spa the play was to be acted at Bel Œil.
Just at this time they received news of the Comte d’Artois’ arrival in Flanders,[39] and the Princes de Ligne started off at once to receive and accompany him on his progress through Rocroi and Spa, bringing him back with them to Bel Œil.
The Princesse Hélène returned to Bel Œil before the Princes, in order to prepare for the Comte d’Artois’ reception; but he had barely arrived when he fell seriously ill. The Prince had prepared festivities which cost him over fifty thousand francs; he never even spoke of them to the Count, who was not in a condition to enjoy them. Only one thing took place, a fairy-like illumination of the park, which the Prince, however, did not see, for he never left the Comte d’Artois’ side, and started with him for Versailles.
After the departure of the Comte d’Artois, the Chevalier de Boufflers and Madame de Sabran came to Bel Œil. Hearing that the Chevalier was garrisoned at Valenciennes, the Prince wrote and proposed his joining him at Tournai, and from there returning with him to Bel Œil. The Chevalier replied: “I am very much tempted, my dear Charlot, by all you suggest; but on closely examining your marching orders, I believe that my regiment is the very thing I should miss. Tell me when you go to Tournai; I intend going there, and defying you at the head of your army, and if I find it on two Lignes (lines), I shall try to break through them.
“Dear Prince, I love you as if I saw you every day of my life. After yourself there is nothing that gives so much pleasure as the impression that you leave. Send me your marching orders, so that we may meet somewhere, and that, if possible, we may part nowhere.”[40]
The Chevalier arrived at Bel Œil in time to take part in the representation of the Mariage de Figaro, which was given with great success in the pretty theatre at Bel Œil. Hélène took the part of Suzanne; Madame de Sabran that of the Countess; Elzéar, Chérubin, and Boufflers, Figaro; as for the Prince-father, he had to content himself with the modest part of Doublemain, the notary’s clerk; we must confess that, though he gave others[41] good advice, he acted very badly himself. He was generally given the part of the notary who draws up the marriage-contract, or that of the lackey who brings in a letter, and would invariably come in at the wrong moment; but on the other hand, once on the stage he would not leave it, but say in a supplicating whisper to the other actors: “I am not in your way, am I?”
Hélène acted with an archness and vivacity which recalled the merry schoolgirl of the Abbaye-aux-Bois, tempered by a little experience; the little Elzéar was charming as Chérubin, but the Chevalier carried off the palm by the zest and spirit with which he threw himself into his part. It was a curious sight, and a sign of the times, to hear Figaro’s soliloquy recited by a nobleman, and applauded by the aristocratic audience of Bel Œil.
Prince Charles willingly lent himself to his wife’s amusements, though he took no active part in them; but his serious mind required occupations of a different order. He took a keen interest in all scientific discoveries, and at that moment was much taken up with the new process of aerostation invented by Charles Pilatre de Rozier and Montgolfier. He witnessed the first experiments made in Paris, and among others the ascension of a fire balloon, in the gardens of La Muette, on the 21st of November 1783, made by Pilatre de Rozier and D’Arlandes. The aeronauts were in the greatest danger, their balloon having caught fire; they managed to extinguish it, and made their descent at Gentilly in safety. At that time a balloon ascension was looked upon as a most daring undertaking, and no one cared to accompany the aeronauts. But Prince Charles, whose courage and coolness were proof against everything, determined to take part in the third ascent, which took place at Lyons on the 19th of January 1784. The seven passengers were: the elder Montgolfier, Pilatre de Rozier, Fontaine, Prince Charles, and three other persons who at the last moment wished to ascend. Although the balloon was of enormous size, the number of passengers was too great; De Rozier had foreseen this, and did not wish the two last persons to enter the car. Montgolfier persuaded him, however, to let things be; but they were hardly off, and had only run about five hundred fathoms, when the balloon began imperceptibly to tear, and they were obliged to make a hasty and perilous descent at a distance of about a league from the town. On their return to Lyons they were received with acclamations by the whole population. In April 1784 Prince Charles sent off from the public square in front of the hôtel des États, at Mons, a magnificent balloon, constructed at his own expense. He had invited the Duke and Duchess of Aremberg and a great many distinguished personages of the Courts of Brussels and Versailles, who, after the ascent of the balloon, all returned to Bel Œil.[42]