"Ferdie, take us in," whispers Miss Livingston, who is immediately behind her mother, and is sixteen, pretty and snippy. "That gateman looks impatient."

"Quick, Louise, or the ticket puncher 'll mistake my head for a ticket," laughs the young man. Then he cries, "Come along, auntie. Don't be frightened. You don't suppose Oliver will ever lose sight of Miss Dividends?" And with a passing wink of inborn knowledge to Ollie, which is returned by a stare prim and savage, Ferdie rushes his aunt and Miss Louise past the portals, towards a private Pullman car, the last of an express train standing ready to move out to Chicago, on a bright September day, of the year of our Lord 1871.

Livingston, relieved of the care of the other ladies of his party, watches his valet, assisted by two maid-servants in caps, carrying the hand-satchels, shawls, and minor baggage of the party to the car, then turns his glance towards Miss Travenion. The savageness leaves his eyes, and a little soft passion takes its place. They follow the movements of the girl with prim rapture, as well they may.

Miss Travenion is just overtaking the man she is pursuing; her eyes, intent upon her chase, sparkle as blue diamonds. From her well-shaped head float, after the fashion of that day, two long curls of hair that would be golden, did not the sun seem to claim them as his own, and permeating them with his fire, make each hair as brilliant as his own bright rays. Above the curls, a summer hat, beneath this, waving locks that crown a marble forehead, perhaps too broad for ancient sculptors' taste, but ideal for modern artists, who love soul in woman; cheeks rosy with health, lips red and moist as coral washed by sea-spray, the upper one laughing, the under one eager; a chin that tells of resolution, a figure light as a fairy's, but with the contours of a Venus; clothed in a travelling gown that does not disguise the graces that it robes; one eager hand outstretched towards the flitting Kruger, the other grasping firmly, yet lightly, the skirt and draping it about her, plucking its laces and broideries from out the dust, and showing as she trips along a foot and ankle that a lover would rave about—a sculptor mould.

This is what makes Ollie Livingston's little heart beat one or two pats to the second more rapidly than normal, showing how small his soul, how puny his manhood, for no more charming girl has ever been looked upon than Erma Travenion, as she lays her well-gloved patrician hand upon Lot Kruger's big Western arm, even amid the crowds of this great railroad station of New York, where beauties—American beauties at that—have given forth to admiring humanity each glance and gesture, grace and tone, that allure and conquer mankind.

Mr. Kruger, also in pursuit of some one, has just found his man, and thus Erma is enabled to overtake him. As she comes up he is in such earnest conversation with a small, weazened-face, ferret-like individual that he does not note the approaching beauty.

Were Miss Travenion intent upon anything but speaking to the Westerner she could hardly avoid appreciating the peculiarity of the interview she is breaking in upon—Kruger all command, the other answering with a docility unusual among Americans, and at times saluting in almost a cringing manner the man addressing him. As Erma stands for a moment behind Kruger, she hears him say tersely and sharply to his companion: "Jenkins, there are four hundred more coming on the Scotia, due to-morrow, and three hundred here now. We have contracted with the Central for the U. P. to take them at forty dollars a head. The other crowd I will wait for."

Mr. Jenkins's reply Miss Travenion does not catch, as she places her hand on Lot Kruger's arm and he swings around suddenly and quickly to see who interrupts him. His face for a moment has a startled and annoyed, perhaps an angry, expression upon it, but as he turns and gazes upon Erma, smiles chase sternness away from his features, even as they did upon Livingston's flaccid face; the young lady's beauty seeming to have a similar effect upon both men, though Kruger's virile passion is ten times as strong as that of the prim New Yorker.

Miss Travenion says hurriedly: "Mr. Kruger, I saw you here. I couldn't help following you. You have just come from the West—you have seen my father lately? Tell me, is he well? I haven't had a letter from him for a fortnight."

He cries, "Miss Ermie, I am mighty glad your daddy hain't written, for if he had, I guess I shouldn't have heard your pretty voice, unless I hunted you up at your boarding-school."