“Ridolfi? Yes, I’ve heard of him. He has a great many dealings with Italy; he is a goldsmith as well as banker; his place is on Cheapside,” mutters Chester. “What about him?”
“Well, this is apparently a letter of a series, some of which must have been answered, in which Alva is arranging with Ridolfi, who is apparently the agent of the Duke of Norfolk, the man who would marry the Queen of Scots, now in Elizabeth’s hands, for the poisoning of the Queen of England!”
“The poisoning of my sovereign! Good God!” gasps Guy. A moment after, forcing himself to calmness, he continues: “Yes; rumors of this or of a similar plot have been brought to the notice of Lord Burleigh, Secretary of State. You know it is to investigate such matters that I am sent over here and disowned by my sovereign, who wishes at present to appear at peace with Alva, but who, in her time, will have her reckoning—and an English reckoning at that—with your Netherland tyrant!”
“I know that. That is why I aid you,” mutters the painter. “Elizabeth is the only hope of the Netherlands. We have been crushed and butchered at Jemmingen, the Prince of Orange is now in exile, a fugitive in Germany, France distracted with her own affairs, Coligny and Condé at swords points with the league, can give us but uncertain aid—England is our only hope. As such I have welcomed you as the ‘First of the English’ to come to aid the Flemings. You will not be the last—I know it! But”—here the light of patriotism comes into the painter’s face, “we must do our part. As such I have condemned myself to live under the most terrible suspense that can be put upon a man—a traitor in the very household, at the very writing table, of the Spanish Viceroy, so that I may give information of his movements to Louis of Nassau and William the Silent. Discovery means—you know what!”
Then he laughs a ghastly laugh and whispers: “What would Alva, who burns people alive slowly for eating [[54]]meat on Friday; who beheads women for sheltering their own husbands; who permits his troops to burn, outrage, pillage and ravage defenseless burghers and peaceful citizens; what would he do with a discovered spy in his own retinue? Are there enough racks, thumb-screws and faggots for him?” he shudders; then adds determinedly: “But all for my country!”
“And I all for my own,” answers Guy. “A price set upon my head as a pirate, and all for my Queen. Elizabeth smiles on me at court, calls me her valiant freebooter, yet tells the ambassador of Philip of Spain that I am here on my own account, and disowns me; though she knows it is for her interests, to guard her life, to discover such damnable plots as these, that I take my life within my hand! Besides,” he goes on, his eyes beginning to blaze, “I don’t love the Spaniards.”
“Personally,” remarks the Flemish painter, “I have found some very pleasant gentlemen among them; though among those who flock here to Alva’s banner are scoundrels innumerable. But it is for my country that I live a life of suspense, each breath almost an apprehension.”
Looking at the painter, Guy sees that this is true. He is rather small of figure, though well-built and agile; but has dark soft eyes, singularly delicate, mobile lips for a man, and a high, intellectual forehead. As Chester gazes, he is sure Antony Oliver is a brave man. At the same instant he knows he is a man with such a terrible fate hanging over him that his nerves are unstrung by constant and never-ending apprehension.
However, he speaks to the point.
“I hate every Spaniard, gentleman or no gentleman, peasant or noble, because I have a brother in the prisons of the Inquisition at Hispaniola.”