CHARM OF THE WEST HIGHLANDS
I cannot pass from the subject of these Western Isles and the adjacent part of the mainland without a reference to their indescribable charm, and an expression of my own profound indebtedness to them for many of the happiest hours of my life. To appreciate that charm one must live for a while amidst the scenery, and learn to know its infinite diversity of aspect under the changing moods of the sky. The tourist who is conveyed through this scenery in the swift steamer on a grey, rainy day, naturally inveighs against the climate, and carries away with him only a recollection of dank fog through which the blurred bases of the nearer hills could now and then be seen. Nor, even if he is favoured with the finest weather when, under a cloudless heaven, every island may stand out sharply in the clear air, and every mountain, corrie, and glen on the mainland may be traced from the edge of the crisp blue sea up to the far crests and peaks, can he realise on such a day how different these same scenes appear when the atmospheric vapour begins to show its kaleidoscopic transformations. Having sailed along a good part of the coast of Europe, including Norway and the Aegean Sea, I am convinced, that for variety of form, the west coast of Scotland is unsurpassed on the Continent, while for manifold range and brilliance of colour it has no equal. One who has passed a long enough time amidst this scenery, more especially if he has made his home upon the water, sailing across firth and sound, threading the narrows of the kyles, and passing from island to island, can watch how the very forms of the hills seem to vary from hour to hour as the atmospheric conditions change. Features that were unobserved in the full blaze of sunlight come out one by one, pencilled into prominence by the radiant glow of their colour, as the cloud-shadows fall behind them. In the early morning, when the sun climbs above the Invernessshire and Argyleshire mountains and the mists ascend in white wreaths from the valleys, there is presented to the eye a vast and varied panorama, comprising the highest and most broken ground in the British Isles, rising straight out of the Atlantic. In the evening, when the sun sets behind the islands, and the hills, transfigured by the mingled magic of sunlight, vapour, rain and cloud, glow with such luminous hues as almost to be lost in the glories of the heaven, one feels that surely ‘earth has not anything to show more fair.’
Wandering through these scenes, one’s mind comes to be filled with a succession of vivid pictures printed so indelibly on the memory that, even after long years,
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude.
Among these mental impressions some stand out with especial prominence in my own memory. Such is a sunset seen from the top of the lighthouse on Cape Wrath when, above the far ocean-horizon, there rose a mass of cloud, piled up into the semblance of mountains and valleys, with sleeping lakes and bosky woods, castle-crowned crags and one fair city with its streets and stately buildings, its steeples and spires. The late Professor Renard of Ghent, had accompanied me to that far north-western headland, and we amused ourselves naming the various parts of the topography of this gorgeous aerial Atlantis. Another memorable sunset was seen from the Observatory on the top of Ben Nevis, when the chain of the Outer Hebrides, at a distance of a hundred miles, stretched like a strip of sapphire against a pale golden sky. Next morning a white mist spread all over the lower hills like a wide sea, with the higher peaks rising like islets above its level surface. Through all these memories of landscape there runs, as a tender undertone, the recollection of the human interest of the scenes. One’s mind recalls the fading relics of ancient paganism, the devoted labours of the Celtic saints who first brought the rudiments of civilisation to these shores, the coming of the vikings from the northern seas, the feuds and massacres of the clans. The landscapes seem to be vocal with the pathos of Celtic legend and song, and with the romance of later literature,
In each low wind methinks a spirit calls,
And more than echoes talk along the walls.
ORIGIN OF HIGHLAND DEMURENESS