George Bernard Shaw, his life and works

by Archibald Henderson

Abbey Theatre, Dublin, [400]-1.
Academy, [246], [287].
Achurch, Janet, [299], [304], [353]-4.
Actors' Society Monthly Bulletin, The, [369].
Adams, Maurice, [104].
Addison, Joseph, [199].
Ade, George, [136].
Adelphi Terrace, [20].
Admirable Bashville, The. See G. B. Shaw.
Aldwych Theatre, [401].
Alexander, George, [183], [282].
Allen, Grant, [279].
Allen, Rev. G. W., [102].
Alma-Tadema, Sir L., [287].
Amateur Photographer, [226].
Anderton's Hotel, [115], [131].
Angelo, Michael, [31], [46], [90], [153], [218]-9, [225], [243], [291], [393].
Archer, William, [20], [75], [84], [90], [91], [142], [251], [297], [306], [315], [327], [333], [369], [413], [417], [443];
and Cashel Byron's Profession, [61], [76];
first sees Shaw, [97];
and Shaw's career as a critic, [195];
and Shaw's musical criticisms, [232]-3;
and Shaw's dramatic criticisms, [279] et sqq., [286];
collaborates with Shaw, [293], [295];
and Shaw as a dramatist, [299];
and Mrs. Warren's Profession, [307]-8, [363], [425];
and Arms and the Man, [316]-17;
and You Never Can Tell, [325];
and Shaw's greatest work, [378];
and Major Barbara, [387];
and The Doctor's Dilemma, [390] et sqq.;
and stage directions, [419];
and Widowers' Houses, [445];
and Shaw's sentiment, [507].
Arms and the Man. See G. B. Shaw.
Arnold, Matthew, [96].
Arnold, Sir Edwin, [299].
Art Moderne, L', [348].
Atlantic Monthly, The, [484].
Augier, E., [294].
Author, The, [91].
Aveling, Dr., [114], [160], [164], [261].
Avenue Theatre, [312] et sqq., [316].
Bab, Julius, [85], [249], [402].
Bach, [236], [240], [252].
Bahr, Hermann, [198], [353], [358], [410], [414], [424].
Bakunin, Michel, [98], [189], [247].
Balfour, Right Hon. A. J., [372], [404].
Ball Publishing Co., [111].
Barker, Granville, [286], [368], [371]-2, [388], [398], [446].
Barnby, Sir Joseph, [237].
Barrie, J. M., [404].
Barry, James, [200].
Bashkirtseff, Marie, [5], [273].
Bax, Belfort, [51], [98], [164], [485]-6;
his article, Socialism and Bourgeois Culture, [159].
Beaumarchais, [23].
Beaumont and Fletcher, [264], [366].
Bebel, F. A., [152], [180], [186].
Beerbohm, Max, [231], [288], [339], [363], [394], [425], [496].
Beethoven, [18], [23]-4, [73], [153], [240], [243], [250], [257], [393].
Beeton, [158].
Bell, Chichester, [34]-5, [44].
Bellamy, Edward, [152].
Bellini, [18].
Bennett, Sterndale, [237].
Berlioz, [234], [257].
Bernstein, Eduard, [165].
Besant, Mrs. Annie, [52], [92], [109], [113] et sqq., [125], [133], [144], [160], [165], [178], [283], [484].
Beyle, Henri, [20], [412], [463].
Birmingham, George A., [401].
Bispham, David, [238].
Bizet, [24], [61].
Blake, William, [447], [454] et sqq., [466], [469], [473].
Bland, Hubert, [67], [99], [102], [114] et sqq., [128]-9, [169], [175], [178].
Bland, Mrs. Hubert, [128]-9.
Blavatsky, Madame, [127].
Blum, M. Jean, [337].
Booth, General, [387].
Borchardt, Miss, [484].
Borsa, Mario, [270].
Boston Transcript, [287].
Bouguereau, W. A., [222].
Bourget, Paul, [416], [464].
Bradlaugh, Charles, [137]-8, [144], [160], [176].
Braekstad, Hans L., [272].
Brahms, [241], [243].
Brandes, Dr. Georg, [306], [307], [311], [313], [347], [359]-60, [418], [464].
Brentanos, [54]-5.
Brieux, Eugène, [432], [439].
Brooke, Stopford, [15], [93], [208].
Brown, Ford Madox, [212], [219]-20.
Browning, Robert, [31]-2, [40], [219], [412], [415], [466].
Browning Society, [135].
Bruneau, [245].
Brunetière, Ferdinand, [307], [309].
Bryant, D. Sophia, [37]-8.
Bülow, Hans Von, [241].
Bunyan, John, [268], [447], [473].
Burne-Jones, Sir Edward, [206], [212], [221], [225].
Burne-Jones, Lady, [206].
Burns, Right Hon. John, [112] et sqq., [127], [142], [166], [174].
Burrows, [113].
Butler, Samuel, [480], [483].
Byron, Lord, [143], [215], [364].
Cæsar and Cleopatra. See G. B. Shaw.
Cairnes, J. E., [155].
Calderon, [432].
Calvé, Mme., [245].
Campbell-Bannerman, Sir Henry, [372].
Campbell, Lady Colin, [212].
Campbell, Mrs. Patrick, [228], [392].
Candida. See G. B. Shaw.
Candid Friend, The, [42], [60], [98], [147], [202], [476].
Captain Brassbound's Conversion. See G. B. Shaw.
Carlyle, Thomas, [253], [271], [336], [434], [457], [474].
Carnegie, Andrew, [383], [385].
Carpaccio, [227].
Carpenter, Captain Alfred, [99].
Carpenter, Edward, [50], [99], [114].
Carroll, Rev. William George, [15].
Cashel Byron's Profession. See G. B. Shaw.
Caxton Magazine, [211].
Cellier, Alfred, [233].
Century Magazine, [505].
Chamberlain, Right Hon. Joseph, [404].
Chamfort, Nicholas, [456].
Champion, Henry Hyde, [48], [51], [52]-3, [102], [112] et sqq., [125], [155].
Chap-Book, The, [29], [57], [149].
Chapman and Hall, [47].
Chapman, George, [264].
Charrington, Charles, [354].
Charrington, Mrs. See Achurch.
Chaucer, [221].
Chesterton, Gilbert K., [9], [190], [202], [354], [413], [415], [435], [436], [453], [472], [489], [496], [503], [508]-9.
Chopin, [23], [25].
Christian Socialist, The, [47].
Chubb, Percival, [102].
Civic and Dramatic Guild, [402].
Clarion, The, [385], [390], [422].
Clarke, M.A., William, [100] et sqq.;
his The Fabian Society, [111], [129], [136].
Clerk, The, [22].
Cobden, Richard, [168].
Coburn, Alvin L., [224] et sqq., [496], [501] et sqq.
Collier and Son, P. F., [498]-9.
Colvin, Sidney, [53].
Comedy Theatre, [295].
Common Sense of Municipal Trading, The. See G. B. Shaw.
Common, Thomas, [485].
Comte, Auguste, [102], [168].
Constable and Co., Archibald, [55], [183], [399].
Contemporary Review, [183], [385].
Corbett, James J., [72].
Corbin, John, [319], [321], [344], [373].
Correggio, [221].
Courtney, W. L., [63], [80], [81], [177], [286].
Court Theatre, [277], [285], [286], [324], [345], [368]-9, [371]-2, [388], [402].
Cowen, Sir Fred, [237].
Crane, Walter, his An Artist's Reminiscences, [112].
Crawford, Rev. William, [16].
Criterion Theatre, [295].
Cunningham, Edward, [158].
Cunningham, W., [159].
Daily Chronicle, The, [100], [164], [212], [248], [305], [312], [331].
Daily News, The, [75], [91], [419].
Daly, Arnold, [315], [326], [346].
D'Annunzio, Gabriel, [416], [419].
Dark Lady of the Sonnets, The. See G. B. Shaw.
Darwin, Charles, [92], [94], [96], [102], [123], [153], [261], [476], [483];
his Descent of Man, [97].
Davidson, Thomas, [102]-4, [173].
Davis, [114].
Day, Holland, [228].
Delaroche, Paul, [200], [224].
Delia Robbia, [221].
Demachy, [228].
De Quincey, Thomas, [51], [153], [161], [359], [503].
De Reszke, Édouard, [238], [445].
De Reszke, Jean, [238], [245], [445].
Devil's Disciple, The. See G. B. Shaw.
Dialectical Society, [92]-3, [271].
Dickens, Charles, [41], [253], [361], [416], [443], [473].
Die Zeit, [165].
Disraeli, Benjamin, Earl of Beaconsfield, [98], [124], [144], [205], [262].
Doctor's Dilemma, The. See G. B. Shaw.
Dolmetsch, Arnold, [237].
Donald, [114].
Donatello, [221].
Don Giovanni, [18], [23].
Donisthorpe, Wordsworth, [114], [125].
Donizetti, [18], [23].
Don Juan in Hell. See G. B. Shaw.
Dramatic Opinions and Essays. See G. B. Shaw.
Dryden, John, [476].
Drysdale, Dr., [93].
Dublin, Shaw born at, [3];
Shaw's early life in, [3] et sqq.
Dumas, Alexandre, [61], [67].
Dumas, Alexandre fils, [413].
Düsel, Friedrich, [337].
Dvorak, [241].
Echo, The, [231].
Economic Club, The, [158].
Economic Journal, The, [158].
Edgeworth, F. Y., [158]-9.
Edison, Thomas A., [44].
Edward VII., [311], [372].
Edwards, Clement, [142].
Edwards, Osmon, [270].
Eliot, George, [92], [94], [96], [305].
Ellis, Alexander, [91].
Ellis, Ashton, [393].
Ellis, Havelock, [102].
Emerson, Ralph Waldo, [3], [439].
Engel, Louis, [235].
Engels, Friedrich, [106], [163], [167], [181].
English Illustrated Magazine, [244].
English Land Restoration League, The, [47], [99].
Fabian Essays in Socialism. See G. B. Shaw.
Fabian Society, The, [39], [47], [52], [56], [89] et sqq., [173] et sqq., [231], [280].
Faguet, Émile, [84], [250].
Farr, Florence, [329], [504].
Faust, [18].
Fellowship of the New Life, The. See The Fabian Society.
Figaro, Le, [348].
Filon, Augustin, [300], [336], [344]-5, [367], [445], [449].
Fitzgerald, C. L., [111].
Fontenelle, [416].
Foote, G. W., [114], [131], [138] et sqq., [482].
Ford, Rev. F. W., [125].

Fortnightly Review, The, [24], [60], [187].
Foxwell, [158]-9.
France, Anatole, [144], [449], [502]-3.
Freethinker, The, [482].
Freiligrath, Ferdinand, [51].
Frost, Percy, [155]-6.
Funk and Wagnalls Co., [268].
Furniss, Harry, [327].
Furnival, Dr. F. J., [135].
Gaiety Theatre, Manchester, [402].
Galsworthy, John, [372].
Galton, Sir Francis, F.R.S., [492].
Garcke, Emil, [91].
Garland, Hamlin, [152].
Garrick, David, [196].
Garrick Theatre, [295].
George, Henry, [47]-8, [50], [56], [90], [117], [153] et sqq., [176], [178];
his Progress and Poverty, [94], [96], [102], [152], [154]-5, [178].
George, Henry, Jr., [95], [152].
George, Right Hon. Lloyd, [175].
Gerster, [239].
Gestalten und Gedanken, [313].
Getting Married. See G. B. Shaw.
Gibson, Dr. Burns, [102], [104].
Gilbert, Sir W. S., [237], [303], [316] et sqq., [433], [456] et sqq.;
his Palace of Truth, [318] et sqq.
Gissing, George, [415].
Godard, J. G., [91].
Goethe, [23], [306], [364], [412], [434].
Goncourt, Edmond de, [440].
Gonner, E. C. K., [135].
Gordon, General, [312].
Gorki, Maxim, [432].
Gounod, [18], [24].
Graham, Cunninghame, [113], [306], [314], [328].
Grant, Corrie, [125].
Great Thoughts, [480].
Greene, Robert, [264].
Greenwood, Frederick, [200].
Gregory, Lady, [400].
Grein, J. T., [293], [295], [309], [321], [358].
Greuze, [228].
Greville, Eden, [293].
Grove, Sir George, [236].
Grundsätze der Volkswirtschaftslehre, [161].
Grundy, Sydney, [282], [284].
Guèsde, [152], [166], [180].
Guilbert, Yvette, [345].
Gurly, Lucinda Elizabeth. See Mrs. G. C. Shaw.
Gurly, Walter Bagenal, [7].
Hadden, Caroline, [104].
Hagemann, Herr Carl, [410].
Haldane, Right Hon. R. B., [132] et sqq.
Hale, Professor, [426].
Hall, Andrew, [113].
Hals, Franz, [227].
Hamon, Auguste, [165], [309]-10, [353], [439].
Hampstead Historic Club, [128] et sqq., [157].
Handel, [18], [23], [233], [257].
Hankin, St. John, [372].
Hapgood, Norman, [325], [411].
Hardie, Keir, [187].
Hardy, Thomas, [55], [368].
Hare, Sir John, [282].
Harper and Brothers, [54]-5.
Harper's Bazaar, [85].
Harris, Frank, [261], [266].
Harris, Sir Augustus, [216], [245], [278], [287].
Hart, Sir Robert, [16].
Hauptmann, Gerhart, [413], [464].
Hausemann, William A., [340], [456], [486].
Hawthorne, Nathaniel, [25].
Hay, John, [189].
Haydn, [36].
Haymarket Theatre, [321].
Headlam, Rev. Stewart, [48], [114].
Hebbel Theater, [301].
Heine, Heinrich, [3], [47], [201], [413], [457].
Helmholtz, Hermann Von, [44].
Henderson, Archibald, [484].
Henley, W. E., [53], [212], [214] et sqq., [282].
Henry and Co., [205], [298].
Hensley, Lewis, his The Scholar's Algebra, [158].
Herwegh, Georg, [51].
Hibbert Journal, [471].
Hichens, Robert, [261].
Hinton, Horsley, [228].
Hinton, Mrs., [104].
Hodgskin, [155].
Hodgson, R., [127].
Hogarth, William, [227]-8, [422], [473].
Holbein, [227].
Hollman, [239].
Holmes, Oliver Wendell, his Autocrat of the Breakfast Table, [89].
Hooghe, Peter de, [224].
Hope, Laurence, [392].
Hoppner, John, [228].
Horniman, Miss, [401].
How He Lied to Her Husband. See G. B. Shaw.
Hudson Theatre, [365].
Hughes, [114].
Hugo, Victor, [23], [59], [250], [432], [434], [443].
Humanitarian League, The, [49].
Humanitarian, The, [435].
Huneker, James G., [84]-5, [246], [275], [350], [366], [375], [418].
Huxley, Thomas, [92], [94], [96]-7, [443], [476]-7.
Hyndman, H. M., [98], [110], [112]-3, [127], [138], [152], [156]-7, [159], [160], [164]-5, [167] et sqq., [173]-4, [200], [206], [302], [368];
his Economics of Socialism, [162];
his Marx's Theory of Value, [164]-5.
Ibsen, Henrik, [14], [25], [39], [59], [90], [143], [198], [237], [247], [299] et sqq., [415], [432], [447], [455], [460], [471], [480];
Shaw compared to, [61]-2, [304], [316], [420] et sqq., [458];
his Love's Comedy, [78], [347];
his Little Eyolf, [81];
his The Master Builder, [81];
the controversy on, [248]-9;
Shaw's championship of, [263], [272] et sqq., [305],
389-90;
his mission, [269];
Shaw's admiration for, [270];
his A Doll's House, [271], [274], [299], [314], [338], [433], [439];
his Peer Gynt, [273];
his Emperor and Galilean, [273], [460];
his The Pillars of Society, [271], [274];
his An Enemy of the People, [274], [297], [439], [456]-7;
his Ghosts, [274], [296], [305], [307];
his The Wild Duck, [274];
his Rosmersholm, [274];
his The Lady from the Sea, [274], [347];
his Hedda Gabler, [274];
criticized by Shaw, [303];
his death, [389];
and stage directions, [417]-18.
Immaturity. See G. B. Shaw.
Independent Theatre Society, [293], [295], [309], [321].
Ingersoll, Robert G., [92].
Ingres, Jean, [219].
Interlude at the Playhouse, The. See G. B. Shaw.
Ireland, its irreligion, [8]-9;
National Gallery of, [19], [31];
land agency in, [21];
described in John Bull's Other Island, [372] et sqq.
Irish National Theatre Society, [401].
Irish Times, The, [400].
Irrational Knot, The. See G. B. Shaw.
Irving, Sir Henry, [216], [287] et sqq.
Irwin, Will, [270].
Jackson, Holbrook, [11], [175], [447].
James, Henry, [64], [284], [394], [416], [454].
James, S. T., [259].
Jaurès, Jean, [144], [152], [166], [180], [186], [486].
Jefferies, Richard, [51].
Jevons, Stanley, [155]-6, [159] et sqq.;
his Letters and Journal, [160];
his Theory of Political Economy, [161].
Joachim, Joseph, [240]-1.
John Bull's Other Island. See G. B. Shaw.
Johnson, Dr., [479].
Jones, Benjamin, [132].
Jones, Henry Arthur, [210], [257], [263], [282] et sqq.
Jonson, Ben, [264], [266].
Journal des Débats, [350].
Jowett, Benjamin, [262].
Joynes, James Leigh, [48], [50]-1, [90], [94], [155].
Jupp, W. I., [104].
Justice, [164]-5.
Kaulbach, Wilhelm von, [200], [224].
Keats, John, [40], [215].
Kerr, Alfred, [340], [438].
Kingsway Theatre, The, [402], [403].
Knight, William, his Memorials of Thomas Davidson, [104].
Knowles, Sheridan, [415].
Kropotkin, Prince, [98], [108], [152], [170], [173].
Lamarck, Jean, [480], [483]-4, [488].
Lamb, Charles, [6], [266], [447].
Land Nationalization Society, [95].
Land Reform Union. See English Land Restoration League.
Lane, John, [270].
Lane, Joseph, [114].
Lassalle, Ferdinand, [98], [127], [152], [165], [168], [173], [176], [178], [271], [457].
“Law and Liberty League,” [113].
Lecky, James, [90] et sqq., [122], [235].
Leeds Art Club, [175].
Lee, George J. V., [17]-8, [22], [37].
Le Gallienne, Richard, [232].
Leighton, Sir Frederick, [219].
Leschetizky, [239].
Le Temps, [277].
Levy, [131].
Lewes, George H., [201], [233].
Liberty, [189], [246].
Liebknecht, Wilhelm, [98], [152], [166], [172]-3, [180]-1.
Lind, Letty, [254].
Linnell, John, [228].
Lippi, Fra Filippo, [221].
Liszt, Abbé, [23], [257].
Lodge, Sir Oliver, [385].
Lohengrin, [35].
London Stage Society, [380].
Longfellow, Henry W., [24].
Loraine, Robert, [43], [302], [315], [368].
Love Among the Artists. See G. B. Shaw.
Lucrezia Borgia, [18].
Luther, Martin, [469]-70.
Lyceum Theatre, [282], [343].
Lytton, Hon. Neville S., [501].
Lytton, Lord, [297].
Macaulay, Thomas B., [199].
MacCarthy, Desmond, [324], [339].
McClure's Magazine, [329].
Macdonald, J., [111].
McEvoy, Charles, [380].
McKail, J. W., [212].
McKee, Rev. T. A., [16].
Mackenzie, Sir Alexander, [236].
Macmillan Co., The, [340], [456].
McNulty, Edward, [34];
his Misther O'Ryan, The Son of a Peasant and Maureen, [33].
Maeterlinck, Maurice, [134], [224], [368], [415], [463]-4.
Mainly About People, [1].
Mallock, W. H., [59], [60], [186]-7.
Malthus, Thomas R., [92]-3, [168].
Man and Superman. See G. B. Shaw.
Mann, Tom, [113].
Man of Destiny, The. See G. B. Shaw.
Mansfield, Richard, [54], [315], [342]-3, [355], [358].
Mantegna, [46], [225], [227].
Marbot, his Memoirs, [312].
Maris, James, [222].
Marlowe, Christopher, [264].
Marshall, Alfred, [158].
Marston, John, [264].
Marx, Eleanor, [261], [272].
Marx, Karl, [50], [79], [90], [128], [151]-2, [159], [173], [176], [178], [181], [261], [271], [457];
his Das Kapital, [96] et sqq., [106], [155] et sqq., [160] et sqq., [293].
Masefield, John, [372].
Massenet, Jules, [245].
Massingham, H. W., [231].
Mathews, Charles, [317].
Matthews, Brander, [416].
Maude, Aylmer, his Life of Tolstoy, [399].
Maude, Cyril, [321], [328].
Maupassant, Guy de, [304]-5, [316].
Melba, Mme., [24].
Mendelssohn, Felix, [18], [24], [233], [243].
Menger, Anton, [161].
Meredith, George, [46]-47, [77], [201], [278], [461], [471], [509];
his Essay on Comedy, [278].
Merimée, Prosper, [24].
Methuen and Co., [112].
Metropolitan Magazine, [227], [351].
Meyerbeer,

[24], [243].
Meyerfeld, Dr. Max, [43], [426].
Millerand, [166].
Mill, John Stuart, [91]-2, [94], [96], [102], [123], [153], [157], [466].
Milton, John, [139].
Mirabeau, [339].
Misalliance. See G. B. Shaw.
Modern Press, The, [155].
Moffat, Yard and Co., [343].
Molière, [23], [130], [270], [278], [306], [320], [361], [364], [370], [378], [394], [439], [443], [449].
Mommsen, Theodor, [335].
Monet, Claude, [222].
Moody and Sankey, [10]-11, [27], [33].
Moore, George, [202].
Moore, Samuel, [160].
Moore, Thomas, [243].
Morning Leader, [91].
Morris, May, [261].
Morris, William, [90], [98], [152], [173], [261], [271], [434], [457], [473];
makes Shaw's acquaintance, [52];
and Cashel Byron's Profession, [74];
on parents and children, [92];
his influence on Shaw, [99], [205];
and the Fabian Society, [114]-5;
and the Socialist League, [137];
and the value theory, [164];
Shaw's ignorance of, [206];
his Socialist views, [207];
Shaw's obituary notice of, [209], [212];
his artistic integrity, [210]-11;
his mastery of English, [221];
and Shaw's article on Nordau, [246].
Mozart, [18], [24], [32], [36], [90], [214], [218], [240], [243]-4, [248]-9, [257], [364], [393].
Munsey's Magazine, [293].
Muret, M. Maurice, [349]-50.
Nansen, Fridtjof, [504].
Napier, Dr. T. B., [125].
Napoleon, [342] et sqq., [508].
Napoleon III., [93].
Nation, [250], [287], [401].
National Observer, [214].
National Reformer, [160], [164].
National Secular Society, [114], [160].
National Service League, [405].
Nesbit, E. See Mrs. H. Bland.
Neue Freie Presse, [287], [343].
New Age, The, [175], [246], [396].
Newman, Ernest, [249].
Newman, Professor F. W., [95].
New Review, The, [313], [462].
New Shakespeare Society, [135], [263].
New York Herald, [54].
New York Sun, [373].
New York Times, [342], [361], [393].
New York Tribune, [317].
Nicol, Commissioner, [387].
Nietzsche, [20], [39], [81], [90], [151], [247], [261], [273], [339], [413], [455] et sqq., [464], [468], [471] et sqq., [480], [484] et
sqq.;
his Genealogy of Morals, [340], [364], [456], [486].
Nineteenth Century, [246], [439].
Nordau, Max, [35], [346], [436].
North American Review, [286]-7.
O'Connor, Fergus, [173].
O'Connor, T. P., [231], [232], [235]-6.
Offenbach, [233], [243], [340].
Olivier, Sir Sydney, [48], [99], [107], [128]-9, [174];
his play, Mrs. Maxwell's Marriage, [100];
his career, [100].
One and All, [43].
Orage, A. R., [175].
Ouida, [392].
Our Corner, [52], [109], [195].
Owen, Miss Dale, [104].
Owen, Robert, [178], [209].
Paderewski, I. J., [237]-8, [254].
Pall Mall Budget, [244].
Pall Mall Gazette, [48], [50]-1, [98], [127], [135], [160], [164]-5, [195]-6, [200], [215], [483].
Palmist and Chirological Review, [493].
Pankhurst, Dr., [114].
Pardon, Sidney, [261].
Parker, Dr. H. R., [16].
Parnell, Charles Stewart, [101].
Parry, Sir Charles H. H., [236]-7.
Passion, Poison and Petrifaction. See G. B. Shaw.
Pater, Walter, [433], [438].
Patmore, Coventry, [445].
Patti, Adelina, [237], [239], [254].
Pease, Edward R., [102], [104], [127], [139].
Pepys, Samuel, [45].
Phelps, William L., [366].
Philanderer, The. See G. B. Shaw.
Photography, [222].
Pinero, Arthur Wing, [3], [279] et sqq., [364], [447].
Plançon, P., [24].
Play, The, [335], [338].
Playhouse, The, [327].
Plays for Puritans. See G. B. Shaw.
Plays, Pleasant and Unpleasant. See G. B. Shaw.
Podmore, Frank, [102], [104], [114], [127], [177].
Poe, Edgar Allan, [5], [24], [130].
Pope, Alexander, [59], [243].
Porter, General Horace, [312].
Praxiteles, [32].
Proudhon, P. J., [128], [186].
Psychical Research Society, The, [127].
Public Opinion, [11], [33].
Putnam's Monthly, [501].
Queensberry, Marquess of, [387].
Quintessence of Ibsenism. See G. B. Shaw.
Rabelais, [201], [509].
Radical, The, [132].
Raphael, [208], [221], [224].
Reade, Charles, [432]-3.
Reclus, Elisée, [486].
Reinhardt, Max, [345].
Rembrandt, [227], [393].
Renan, Ernest, [449].
Repertory Theatre, [285].
Review of Reviews (London), [386].
Revue des Deux Mondes, [300], [445].
Rhodes, Cecil, [385].
Ricardo, David, [155], [159], [161].
Richards, Grant, [55], [309], [319], [321].
Robertson, Forbes, [282], [335], [338], [402], [417].
Robertson, John Mackinnon, [45], [114].
Robins, Elizabeth, [372].
Rockefeller, John D., [384].
Rodin, Auguste, [226], [500]-1, [504].
Roeckel, August, [247].
Rogers, Professor A. K., [471].
Rook, Clarence, [141], [198], [335].
Roosevelt, Theodore, [384], [484].
Rossetti, D. G., [219], [446].
Rossini, [18].
Rossiter, [115].
Rostand, Edmond, [432].
Rousseau, J. J., [5].
Runciman, James, [214].
Runciman, J. F., [214].
Ruskin, John, [7], [168], [210]-11, [253], [271], [434], [451], [457].
Sainte Beuve, Charles A., [251], [297], [474].
Saint Saëns, Camille, [241], [243].
St. Simon, Claude H., Comte de, [178].
Salt, Henry, [48] et sqq., [90], [503].
Sanders, W., [184].
Sargent, J. S., [227], [449].
Saturday Review, The, [53], [181], [199], [208]-9, [212], [220]-1, [231], [245], [261] et sqq., [266], [269], [272], [275], [279], [288], [364], [421], [427]-9, [455].
Savoy Magazine, The, [14].
Savoy Theatre, [285], [337], [388].
Scheffer, Ary, [24].
Schiller, Friedrich, [23], [432], [454].
Schiller Theater, [355].
Schopenhauer, [81], [271], [364], [366], [435], [457], [459], [473]-4, [476], [480], [483] et sqq.
Schumann, [23], [240], [243], [252].
Scott and Co., Walter, [53], [179].
Scott, Clement, [279], [299], [302].
Scott, Sir Walter, [61], [67].
Scribner's Sons, Charles, [343].
Sedgwick, Anne D., her Confounding of Camellia, [367].
Shakespeare, William, [26], [55], [74], [81], [135], [196], [341], [391], [417], [447], [473], [476];
his plays criticized by Shaw, [262] et sqq., [288], [321];
Shaw's preface on, [336].
Shaw, Agnes, [22], [25].
Shaw, Frederick, [10].
Shaw, George Bernard, his birth, [3];
his complex characteristics, [4];
on autobiographies, [5]-6;
his parentage and ancestry, [6] et sqq.;
his early life, [8] et sqq., [39];
on church going, [8]-9, [11]-12 et sqq.;
enters his uncle's office, [10];
on Moody and Sankey, [10]-11, [27], [33];
his dislike of snobbery, [14]-5, [21], [35], [41];
his education, [15] et sqq.;
his great love of music, [18]-9, [22] et sqq., [36]-7, [216];
his early love of art, [19];
enters Mr. Townshend's office, [20];
his original musical technique, [23], [218];
goes to London, [25];
his religious training, [26];
his asceticism, [26]-7;
choosing a profession, [31] et sqq.;
his friendship with Edward McNulty, [33]-4;
and Chichester Bell, [34]-35, [44];
first introduction to Wagner's music, [35], [234];
his resemblance to his mother, [38]-9;
his struggles in London, [39] et sqq.;
his dress, [40]-1, [491]-2;
on poverty, [41]-2, [46];
on the artistic temperament, [43];
first literary earnings, [43], [47];
his egotism, [44]-5;
his Immaturity, [46]-7;
and land nationalization, [47]-8;
makes new friends, [47] et sqq.;
his vegetarianism, [49], [471];
and the Salts, [48] et sqq.;
on Shelley and Wagner's principles, [49]-50;
and the death of J. L. Joynes, [50]-51;
publication
of his novels, [51] et sqq.;
becomes acquainted with William Morris, [52];
on Cashel Byron's Profession, [52];
his Plays, Pleasant and Unpleasant, published, [54];
his plays, Arms and the Man and The Devil's Disciple, produced, [54];
on American publishing, [54] et sqq.;
on novel-writing, [59], [60];
Stevenson on, [61];
and Ibsen, [61]-2, [297] et sqq., [316], [420] et sqq.;
his The Irrational Knot, [62] et sqq.;
his Love Among the Artists, [65] et sqq.;
his Cashel Byron's Profession, [69], [71] et sqq.;
on the education of children, [70]-1;
his The Admirable Bashville, [74] et sqq.;
his An Unsocial Socialist, [77] et sqq.;
his attitude towards women, [80] et sqq.;
as a novelist, [83] et sqq.;
his versatility, [89], [409], [424];
various influences on, [90], [99], [100];
his friendship with Lecky, [90] et sqq.;
studies phonetics, [91];
joins the Zetetical Society, [92]-3;
joins the Dialectical Society, [93];
on Sidney Webb, [93];
practices public speaking, [94];
his admiration for Henry George, [96];
studies Marx, [97]-8;
and the Darwinian School, [97];
an enthusiastic Socialist, [98] et sqq., [385];
and William Clarke, [100]-1;
and the Fabian Society, [102] et sqq., [173] et sqq., [279]-80, [385];
Sidney Webb's great influence on, [106]-7, [125]-7;
his powers of oratory, [121] et sqq., [412], [505]-6;
his early training for public speaking, [121] et sqq.;
and the Hampstead Historic Club, [128] et sqq.;
his love of debating, [130]-1, [135];
and Mr. Haldane, [133]-4;
and literary societies, [135];
his strenuous work, [136]-7;
and Bradlaugh, [138];
debates with G. W. Foote, [138] et sqq.;
his independent attitude, [140]-1;
his appearance, [145], [338];
his Socialistic philosophy, [151] et sqq., [188] et sqq.;
his letter to Hamlin Garland, [152];
influence of Henry George on, [153] et sqq.;
studies economics, [155] et sqq.;
and Wicksteed, Jevons and Marx, [155] et sqq.;

attends International Socialist Congress at Zurich, [171];
as a Vestryman and Borough
Councillor, [181] et sqq.;
on municipal trading, [182]-3;
invited to stand for Battersea, [184]-5;
his career as an art critic, [193] et sqq.;
his criticism of the Taming of the Shrew, [196]-7;
and the New Journalism, [199];
compared to Heine and Meredith, [201];
his affected levity, [201] et sqq.;
compared with Whistler, [204];
his opinion of criticism, [205];
William Morris's influence on, [205], [208], [211];
Morris's appreciation of, [208];
his obituary of Morris, [209] et sqq.;
his integrity as an art critic, [212]-13;
becomes a musical critic, [212];
and Henley, [214] et sqq.;
his admiration for Michelangelo, [218]-9;
and Madox Brown, [219]-20;
and the Impressionists, [221];
and the Dutch school, [222];
and photography, [222] et sqq.;
photographed by A. L. Coburn, [225] et sqq.;
as a music critic, [231] et sqq.;
on the staff of the Star, [231] et sqq.;
his nom-de-plume of Corno di Bassetto, [232] et sqq.;
on Offenbach, [233], [243];
his admiration for Wagner, [235];
on some modern composers, [236] et sqq.;
on Paderewski, [238];
on Patti and Bispham, [238]-9;
on Hollman, Essipoff, Joachim and Ysaye, [239], [240];
on Mozart, [240];
on Saint Saëns and Meyerbeer, [243];
on Beethoven, Mendelssohn, Schumann and Brahms, [243];
his championship of Wagner, [243] et sqq.;
his Bayreuth criticisms, [244];
on Covent Garden Opera, [244]-5;
on Strauss' Elektra, [249]-50;
his attitude as a critic, [251] et sqq.;
dramatic critic on the Saturday Review, [261] et sqq.;
his aim as dramatic critic, [262], [427];
on Shakespeare, [263] et sqq.;
on modern problems, [271];
champions Ibsen, [272] et sqq.;
on Church and Stage, [276]-7;
on comedy, [278] et sqq.;
leading critics on, [279] et sqq.;
on Pinero, [282] et sqq.;
on some modern playwrights, [283];
on Irving and Ellen Terry, [287]-8;
his income from journalism, [288];
as a playwright, [293] et sqq.;
his first play produced, [293] et sqq.;
Archer's article on, [293] et sqq.;
and the writing of Mrs. Warren's Profession, [305]-6;
his new phase as a dramatist, [309] et sqq.;
and W. S. Gilbert, [316] et sqq.;
and Cyril Maude, [321]-2, [327]-8;
and Arnold Daly, [326]-7;
and Ellen Terry, [328] et sqq., [343];
and Richard Mansfield, [342]-3;
Sir Charles Wyndham on, [346];
Dr. Brandes on, [347];
and William Terriss, [354];
William Archer's admiration for, [363], [378];
and the modern drama, [363] et sqq., [413] et sqq.;
his magnum opus, [370] et sqq.;
Walkley's criticism on, [374], [460]-1;
and politics at the theatre, [388];
and the plot of the Doctor's Dilemma, [391] et sqq.;
his letter to Tolstoy, [399];
as a technician, [409] et sqq.;
his world-wide reputation, [409]-10;
his prefaces, [413];
his descriptive powers, [414];
and stage directions, [417] et sqq.;
his defects, [424]-5;
a résumé of his plays, [425]-6, [448]-9;
as a dramatist, [431] et sqq.;
and the problem play, [433] et sqq.;
G. K. Chesterton on, [436];
on illusions, [436] et sqq.;
philosophy of his plays, [439] et sqq., [481];
as artist and philosopher, [453] et sqq.;
on Schopenhauer, [459];
his optimism, [459] et sqq.;
on self-knowledge, [467] et sqq.;
and science, [477];
on vivisection, [478]-9;
on progress, [480];
his atheism, [482];
his religion, [484];
alleged influences on, [484] et sqq.;
Sir Francis Galton's anthropometric chart, [492]-3;
his characteristics, [494]-5, [501] et sqq.;
as he is to-day, [495];
his prize story, [498]-9;
foreign critics on, [500]-1;
his marriage, [503];
his energy, [503];
as a conversationist, [504];
his Puritanism, [508]-9;
his kindness of heart, [509]-10;
on marriage, [511]-12.
Shaw, G. B., his works:—
Cashel Byron's Profession, [32], [51] et sqq., [61], [71] et sqq., [205], [304], [381], [451], [478].
Common Sense of Municipal Trading, The, [183].
Dramatic Opinions and Essays, [208], [276], [285].
Fabian Essays in Socialism, [178].
Immaturity (Unpublished), [46]-7.
Irrational Knot, The, [45], [52], [55], [62] et sqq.
Love Among the Artists, [52], [54], [67] et sqq., [85], [235].
Perfect Wagnerite, The, [247].
Quintessence of Ibsenism, [138], [272]-3, [299], [413], [480], [484].
Unsocial Socialist, An, [51], [54], [77], [81]-2, [206], [222].
Shaw, G. B., Pamphlets, Articles, etc.:—
Aërial Football (Collier's Weekly), [498].
Author to the Dramatic Critics (Widowers' Houses), [205].
Author's View, The (Caxton Magazine), [211].
Authors of the Court Theatre, The, [446].
Blaming the Bard (Saturday Review), [269].
Bluffing the Value Theory, [164]-5.
Censorship of Plays (The Nation), [287].
Censorship of the Stage in England (North American Review), [286]-7.
Class War, The (Clarion), [167]-8.
Coburn the Camerist (Metropolitan Magazine), [227].
Conflict Between Science and Common Sense, [51], [477].
Darwin Denounced (Pall Mall Gazette), [483].
Das Kapital (National Reformer), [160].
Degenerate's View of Nordau, A, [465], [471].
De Mortuis (Saturday Review), [245].
Diabolonian Ethics, On (Three Plays for Puritans), [119], [355].
Does Modern Education Ennoble? (Great Thoughts), [481].
Dramatic Realist to His Critics (New Review), [313], [462].
Elektra of Strauss and Hoffmansthal (Nation), [250].
Ellen Terry (Neue Freie Presse), [343].
Exhibitions, The (Amateur Photographer), [226], [228].
Fabian Essays, [109], [116], [136].
Fabian Society Tracts, The, [87], [105] et sqq.,
110, [111], [115], [131], [171], [174], [177], [183], [207]-8, [385].
Failures of Inept Vegetarians (Pall Mall Gazette), [50].
Fitzthunder, My Friend (To-Day), [169].
Fitzthunder on Himself (To-Day), [169].
Giving the Devil His Due (Saturday Review), [455].
Haymarket Theatre, The (Chap. XIV.), [321].
Ibsen (The Clarion), [390], [422].
Illusions of Socialism, The, [165], [188].
Impossibilities of Anarchism, The, [171].
In the Days of Our Youth (Star), [234].
King Arthur (Saturday Review), [221].
Life of Madame Blavatsky, A (Pall Mall Gazette), [127], [195].
Madox Brown, Watts and Ibsen (Saturday Review), [220].
Marx and Modern Socialism (Pall Mall Gazette), [165].
Meredith on Comedy (Saturday Review), [278]-9, [429].
Morris as Actor and Dramatist (Saturday Review), [208].
Music (The World), [239], [257].
Notes on the Clarendon Press Rules for Compositors and Readers (The Author), [91].
On Going to Church (Savoy Magazine), [14].
On Mr. Mallock's Proposed Trumpet Performance (Fortnightly Review), [60], [187].
Our Saturday Talk (Westminster Gazette), [442].
Phonetic Spelling; a Reply to Some Criticisms (Morning Leader), [91].
Plea for Speech Nationalization, A (Morning Leader), [91].
Prefaces:—
Author's Apology (Dramatic Opinions and Essays), [276].
Author's Apology (Mrs. Warren's Profession), [286], [309], [435].
Better than Shakespeare? (Three Plays for Puritans), [336], [364].
First Aid to Critics (Major Barbara), [486].
Mainly About Myself (Plays, Pleasant and Unpleasant), [309], [411], [438].
Problem Play (Humanitarian), [435].
Religion of the Pianoforte, The (Fortnightly Review), [24], [50].
Sanity of Art, The, An Exposure of the Current Nonsense About Artists Being Degenerate, [246], [396].
Scotland Yard for Spectres, A (Pall Mall Gazette), [127].
Shakespeare's Merry Gentlemen (Saturday Review), [266].
Shaw, Bernard, [489].
Shaw Abashed, Bernard (Daily News), [75].
Shaw, George Bernard: A Conversation (The Tatler), [374].
Shaw and the Heroic Actor, Bernard (The Play), [335], [338].
Shaw as a Clerk, Bernard (The Clerk), [22].
Shaw, Letter from Mr. G. Bernard (Tolstoy on Shakespeare), [268].
Shaw's Method and Secret, Mr. (Daily Chronicle), [305].
Shaw's Works of Fiction, Mr. Bernard (Novel Review), [80].
Socialism and Republicanism (Saturday Review), [181].
Socialism at the International Congress, [190].
Socialism for Millionaires (Contemporary Review), [183], [385].
Socialists at Home (Pall Mall Gazette), [165].
Solution of the Censorship Problem (Academy), [287].
Spelling Reform v. Phonetic Spelling (Daily News), [91].
Stanley Jevons: His Letters and Journal (Pall Mall Gazette), [160], [195].
Sunday on the Surrey Hills (Pall Mall Gazette), [48].
Theatrical World (Archer's), [315].
Transition to Social Democracy, [208].
Valedictory (Saturday Review), [288].
Who I Am, and What I Think (Candid Friend), [42], [60], [98], [147], [202].
A Word About Stepniak (To-Morrow), [313].
A Word More About Verdi (Anglo-Saxon Review), [241].
Shaw, G. B., his plays:—
Admirable Bashville, The, or Constancy Unrewarded, [74] et sqq.
Arms and the Man, [54], [142], [311], [313] et sqq., [320], [359], [404], [422], [425], [458].
Cæsar and Cleopatra, [335] et sqq., [340].
Candida, [54], [85], [326], [341], [346] et sqq., [409]-10, [418].
Captain Brassbound's Conversion, [91], [288], [320], [328] et sqq.
Dark Lady of the Sonnets, [398].
Devil's Disciple, The, [54], [288], [328], [341], [354] et seq., [401], [419], [422]-3, [425], [438], [458].
Doctor's Dilemma, The, [389] et sqq., [422]-3, [425].
Don Juan in Hell (Man and Superman), [369] et sqq.
Getting Married, [398].
How He Lied to Her Husband, [320], [326].
Interlude at the Playhouse, The, [327].
John Bull's Other Island, [15]-16, [34], [370] et sqq., [388], [425].
Major Barbara, [297], [337], [380], [381], [382], [384] et sqq., [401], [425], [486].
Man and Superman, [27], [81]-2, [152], [363] et sqq., [368], [378], [388], [414], [444], [458], [471], [481], [489], [509].
Man of Destiny, The, [341] et sqq., [374].
Misalliance, [398].
Passion, Poison and Petrifaction; or the Fatal Gazogene, [327].
Philanderer, The, [51], [299] et sqq., [422], [425], [478].
Plays for Puritans, [27], [119], [193], [328], [333], [336], [364], [407].
Plays, Pleasant and Unpleasant, [49], [54], [288], [291], [309], [411].
Press Cuttings, [402], [404].
Showing-up of Blanco Posnet, [27], [398] et sqq.
Warren's Profession, Mrs., [220], [286], [304] et sqq., [341], [363], [380] et sqq., 398, [425], [458], [509].
Widowers' Houses, [22], [205], [220], [270], [293] et sqq., [420], [425], [445].
You Never Can Tell, [320], [321] et sqq., [404], [414], [425].
Shaw, G. B., Books and Articles on:—
Archer, William, Shaw's Phonetic World-English, [91];
About the Theatre, [390];
Shaw on Stage Directions, [419];
Article in The World, [295].
Bab, Julius, Bernard Shaw, [249].
Bahr, Hermann, Bernard Shaw, [424].
Brandes, Georg, Der Dramatiker Bernard Shaw, [313].
Chesterton, G. K., The Meaning of Mr. Bernard Shaw, [436].
Corbin, John, Bernard Shaw and His Mannikins, [373].
Filon, Augustin, M. Bernard Shaw et son Théâtre, [300], [445].
Greville, Eden, Bernard Shaw and His Plays, [293].
Hale, E. E., Jr., Dramatists of To-Day (Bernard Shaw), [426].
Hamon, Auguste, Un Nouveau Molière, [439].
Henderson, Archibald, The Philosophy of Bernard Shaw, [484].
Huneker, James, Bernard Shaw and Woman, [84]-5;
The Truth About Candida, [351].
Irwin, Will, Crankidoxology, Being a Mental Attitude from Bernard Pshaw, [270].
Jackson, Holbrook, Bernard Shaw, [183].
Play, The, Bernard Shaw and the Heroic Actor, [335], [338].
Rogers, Professor A. K., Mr. Bernard Shaw's Philosophy, [471].
Rook, Clarence, Mr. Shaw's Future, [335].
Stead, W. T., Impressions of the Theatre (Major Barbara), [386].
Terry, Ellen, From Lewis Carroll to Bernard Shaw, [329].
Walkley, A. B., Mr. Bernard Shaw's Plays, [319].
Shaw, Mrs. G. B., [388]-9, [401], [495].
Shaw, George Carr (G. B. Shaw's father), [6] et sqq., [20], [22].
Shaw, Mrs. George Carr (G. B. Shaw's mother), [7], [8], [17];
her musical talent, [17] et sqq., [22], [36] et sqq.
Shaw, Lucy Carr, [22], [26].
Shaw, Sir Robert, [33].
Shelley, P. B., [32], [40], [48] et sqq., [90], [92], [152]-3, [215], [234], [271], [273], [346], [412], [434], [457], [473], [480], [482], [503].
Shelley Society, [135].
Sheridan, Richard B., [3], [40], [433].
Shields, Frederick, [220].
Shorter, Clement K., [232].
Showing-up of Blanco Posnet. See G. B. Shaw.
Sims, George R., [43].
Smith, Adam, [155].
Smith, Armitage, [158].
Social Democratic Federation, [96], [102], [108], [110] et sqq., [138], [173], [206].
Socialist League, [137]-8, [207], [261].
Socialist Society, Hammersmith, [207].
Sozialistische Monatshefte, [165].
Speaker, The, [107].
Spectator, The, [401], [486].
Spencer, Herbert, [92], [94], [96]-7, [102], [168], [443], [467];
his The Coming Slavery, [189].
Standard Elocutionist, The, [34].

Standard, The, [393].
Standring, G., [132], [139].
Stanford, Sir Charles V., [237].
Stange, Stanislaus, [72], [315].
Stapleton, [114].
Star, The, [113], [171], [231] et sqq., [237], [295], [387].
Stead, W. T., [112]-3, [215], [386]-7.
Steichen, Éduard J., [225].
Stephens, Yorke, [312].
Stevenson, R. L., [85], [241];
letters of, [53], [61], [73], [215]-16, [282], [297].
Stirner, Max, his The Ego and His Own, [468], [472], [484] et sqq.
Stone and Co., H. S., [54], [309].
Straus, Oscar, [314], [315].
Strauss, Richard, his Elektra, [250].
Strindberg, August, [316], [366], [484] et sqq.
Stuart-Glennie, J. S., [114], [431], [485]-6.
Stümcke, Herr Heinrich, [340], [438].
Sullivan, Sir Arthur, [237].
Sweet, Henry, [91], [331].
Swift, Jonathan, [3], [60], [476].
Swinburne, Algernon C., [266], [447], [455].
Symes, Rev. —, [48].
Symons, Arthur, [237], [240], [473].
Taine, Hippolyte, [266].
Taming of the Shrew, The, [196]-7.
Tarpey, W. K., [346].
Tatler, The, [377].
Tennyson, Alfred, Lord, [8], [24];
his Charge of the Light Brigade, [312].
Terriss, William, [354].
Terry, Ellen, [287]-8, [328] et sqq., [342]-3.
Théâtre des Arts, [348]-9.
Théâtre Royal du Parc, [353].
Thomas, Agnes, [405].
Thomas, Goring, his Golden Web, [237].
Thomson, James, [51].
Thoreau, [50].
Thorpe, Courtenay, [354].
Thorwaldsen, Bertel, [221].
Times, The, [94], [187], [232], [287], [400], [486].
Titian, [200].
Tochatti, [114].
To-Day, [51] et sqq., [114], [155]-6, [158], [165], [206].
Tolstoy, Leo, [145], [168], [173], [268], [398]-9, [401], [413], [464], [473].
Tourneur, Cyril, [264].
Townshend, Uniacke, [10], [20], [33]-4.
Traill, H. D., [199].
Trebitsch, Herr Siegfried, [420].
Tree, Sir H. Beerbohm, [282], [288], [398].
Treherne and Co., A., [327].
Tribune, The, [390], [391].
Trollope, Anthony, [39], [41].
Trovatore, Il, [18], [24].
Truth, [195].
Tucker, Benjamin R., [189], [245]-6, [396], [468].
Turner, J. M. W., [210]-11, [473].
Twain, Mark, [10], [38], [413], [440], [456], [508].
Tyndall, Professor, [35], [44], [94], [96], [153].
Unsocial Socialist, The. See G. B. Shaw.
Unwin, T. Fisher, [104].
Vandervelde, Émile, [186], [486].
Van Uhde, [222].
Vasa-Theater, [326].
Vaudeville Magazine, [11].
Vedrenne, J. E., [371]-2, [398], [446].
Velásquez, [200], [224], [227], [393].
Verdi, [18], [23], [241], [245].
Victoria, Queen, [312].
Vieuxtemps, Henri, [254].
Vizetelly, Henry, [202].
Voltaire, [144], [183]-4, [449], [459], [477].
Vorst, Mrs. John van, [501].
Wagner, Richard, [24], [69], [73], [81], [90], [198], [214], [241], [257], [271], [447], [457], [473], [481], [502];
his Tannhäuser, [23], [234], [245];
Shaw's first acquaintance with music of, [35], [234];
his ascetic temperament, [49];
his Tristan und Isolde, [97], [244], [293];
Shaw's admiration for, [218], [243];
Shaw studies music of, [235];
Shaw's defence of, [237];
Shaw's criticisms on, [244] et sqq., [252]-3;
his Die Meistersinger, [244];
his Die Walküre, [245];
his Das Rheingold, [245], [250];
his Ring of the Niblungs, [247], [460];
his Lohengrin, [248];
his Parsifal, [250];
his Götterdämmerung, [377];
his story, An End in Paris, [393];
his philosophy, [434].
Walkley, Arthur Bingham, [20], [121], [203], [232], [279], [324], [333], [363], [364], [374], [387], [412], [444], [460], [489];
his Frames of Mind, [319].
Wallace, Alfred Russel, [94];
his work on Land Nationalization, [95].
Wallace, Vincent, [24].
Wallas, Graham, [99], [100], [113], [128]-9, [158], [174], [178], [503];
his Life of Francis Place, [100];
his An Economic Eirenicon, [164]-5.
Warren's Profession, Mrs. See G. B. Shaw.
Washington, George, [477].
Webb, Sidney, [90]-1, [93], [99], [102], [105] et sqq., [114], [116]-7, [125] et sqq., [133], [152], [157], [174]-5, [178], [225], [314].
Weber, his Der Freischütz, [234].
Webster, John, [264].
Wedmore, Frederick, [299].
Wesley College, Dublin, [15]-6, [34].
Wesley College Quarterly, [16].
Westermann's Monatshefte, [337].
Whibley, Charles, [215].
Whistler, J. McNeill, [204], [222]-3, [413]-4.
Whitcroft, Ellen, [7].
Whitman, Walt, [50], [243], [268].
Whitney, F. C., [315].
Wicksteed, Philip H., [155] et sqq., [160] et sqq.;
his Alphabet of Economics, [158].
Widowers' Houses. See G. B. Shaw.
Wilde, Oscar, [3], [227], [282], [284], [366], [394], [412], [426], [442], [460], [502].
Williams, [112].
Willis's Rooms, [131].
Wilshire, Gaylord, [186].
Wilshire's Magazine, [159].
Wilson, Mrs., [108], [114]-5.
Winter, William, [343].
Wollstonecraft, Mary, [419], [469].
Wolseley, Lord, [312].
World, The, [98], [135]-6, [195], [231], [237], [239], [244]-5, [255], [257], [261], [295].
Wright, Charles, [158].
Wyndham, Sir Charles, [342], [345]-6, [442].
Yates, Edmund, [195], [212], [261].
Yeats, W. B., [371], [378], [400].
You Never Can Tell. See G. B. Shaw.
Ysaye, Eugen, [240].
Zeit, Die, [431].
Zetetical Society, The, [91] et sqq., [122], [144], [271].
Zola, Émile, [40], [59], [84], [146], [202], [297], [432], [440], [457];
his La Débâcle, [312].

REVIEWS,

from Foreign Journals of Opinion, of

“George Bernard Shaw: His Life and Works”

By

ARCHIBALD HENDERSON, M.A., Ph.D.,