Sir Harry: A Love Story

by Archibald Marshall

Wilbraham entered the room with some curiosity. It was larger than he had anticipated, extending to the whole width of the house and lit by the two windows. Its main furniture was good and solid, of about the date of the house, when furniture had lost its simplicity of line and ornament, but still showed some pride of craftsmanship. Except for an upright piano with a front of faded fluted red silk, which might or might not have belonged to the tenants, it was all probably the property of the landlady, and the nondescript wall paper and dark green curtains were also probably her taste and not theirs. But the books in shelves on either side of the fireplace, the pictures on the walls and the clutter of photographs and little objects for use or ornament on the mantelpiece and elsewhere about the room struck a different note. No attempt had been made to make it other than it was by nature, but it had the air of a permanent home, occupied by people of some refinement.

Viola's work-basket was on a small table by the wall, and there were other signs of feminine occupancy in the room. It looked cozy enough, with a bright fire burning, the curtains drawn and the gas lit; for it was getting dark outside. Bastian evidently made use of the large shabby easy chair by the fire, for there was a tobacco jar and an array of pipes on the table by its side, and a book or two. With his daughter sitting opposite to him, on a winter evening, it was possible to imagine him taking pleasure in his home life. It would be quieter and less marked by poverty than Wilbraham had pictured it. A faint odour of the tobacco that Bastian used hung about, but there were flowers in a vase on Viola's table, and fruit in a plaited basket on the sideboard. The sideboard, apt to be so much in evidence in furnished lodgings, had none of the paraphernalia of meals on it in the way of cruets or bottles. In fact, there were no bottles to be seen anywhere. Wilbraham noticed that at once, for his own trouble had made him acutely sensitive; he had no fears now of succumbing to a temptation to drink, but the signs of drinking by Bastian would have affected him unhappily. He was inclined to believe that he had to some extent misread Bastian, on his first acquaintance with him. It could not be his habitual custom to drink as much as he had done on that afternoon, or Viola would be more affected by it than she was. She had none of the air of a girl whose life had been saddened by a father's gross intemperance; and if Bastian had been kept down in the world by this failing of his, as he had said he had, his poverty was shown by this room to be more relative than actual.

Wilbraham dismissed the unpleasant question of intemperance, in relief at the signs of comfort and refinement that he saw about him. The table in the middle of the room was laid for tea, as if that was the chief evening meal here. Wilbraham hoped that Bastian would not come in for it until he had talked to Viola.

He made his way to the mantelpiece, upon which were a good many photographs. The photographs in a room tell you more than anything about its occupants.

Something was told in this instance by the fact that they were all a good many years old. It meant, for one thing, that Viola and her father must have lived here for some time, and for another that they could have made few friends of late years.

Wilbraham's eye was caught by one of Bastian as a very young man in a group with three others, taken by a Cambridge photographer. His first thought as he looked at it, was to wonder whether he himself had changed so much in twenty years. Bastian appeared as a young man fashionably dressed and judging by his smile pleased with the world in general and with his own lot in it in particular. He had been more than usually good-looking in those days. There was another one of him on a horse, taken at about the same time, but not at Cambridge. Wilbraham wished afterwards that he had noticed the name and habitation of the photographer. Bastian had never told him from what part of the country he came, or anything about his early home and upbringing. But it was evident that he came from what it is customary to call "good people." It was hardly fair to keep Viola in ignorance of her parentage, which might possibly prove to be of some importance to her.

There was a photograph of Viola herself at the age of about ten—a pretty child, but without the exceptional beauty into which she had grown. In a large frame was one of her mother, and there were others of her at different stages. Wilbraham examined them with some attention. She was certainly beautiful, with the same sort of beauty as Viola's, though Wilbraham thought that if he had not known the facts about her he would yet have detected an absence of race, which seemed to him to be apparent in Viola, and perhaps also in her father. He tried to find in her support for Bastian's praise of her character and temperament, but all he could have said was that there was nothing to show that she had not deserved it. She smiled sweetly in these photographs, some of which were in theatrical costume; she was young and beautiful and happy, and her early death added pathos to these presentments of her.

There were other photographs of girls and young women carelessly propped up on the mantelpiece, some of them hidden. They were probably mostly theatrical friends of Mrs. Bastian's, and it seemed likely that she had lived in these rooms, or they would not have been left there. Wilbraham's eyes roamed over them without interest, but just as he was about to turn away were caught by the signature of one of them. "With love from Lottie" in a sprawling hand. It was of Mrs. Brent, taken in that youth of which she was still proud but which she had left behind her.

Wilbraham looked at it fascinated. For some reason or other Mrs. Brent had never shown him a photograph of herself taken during her stage career. For the moment he was more interested in seeing her as she had been than in the fact of finding her photograph here—Harry's mother, in Viola's room.

The photograph made her almost as pretty as Mrs. Bastian. She was a gay light-hearted girl too. Harry's father might be excused for having fallen in love with her. And there was a look of Harry in her young face, which Wilbraham had never noticed in the flesh. He wondered whether Viola had noticed the likeness, which seemed to him quite plain. But probably she did not look at these old photographs to notice anything about them at all once in six months, though she saw them every day.