We have now reviewed the three chief defects of a lens—chromatic aberration, spherical aberration, and distortion—and have seen how they may be remedied. So we will now pass on to the most perfect of cameras,

THE HUMAN EYE.

The eye (Fig. 116) is nearly spherical in form, and is surrounded outside, except in front, by a hard, horny coat called the sclerotica (S). In front is the cornea (A), which bulges outwards, and acts as a transparent window to admit light to the lens of the eye (C). Inside the sclerotica, and next to it, comes the choroid coat; and inside that again is the retina, or curved focussing screen of the eye, which may best be described as a network of fibres ramifying from the optic nerve, which carries sight sensations to the brain. The hollow of the ball is full of a jelly-like substance called the vitreous humour; and the cavity between the lens and the cornea is full of water.

We have already seen that, in focussing, the distance between lens and image depends on the distance between object and lens. Now, the retina cannot be pushed nearer to or pulled further away from its lens, like the focussing screen of a camera. How, then, is the eye able to focus sharply objects at distances varying from a foot to many miles?

Fig. 116.—Section of the human eye.

As a preliminary to the answer we must observe that the more convex a lens is, the shorter is its focus. We will suppose that we have a box camera with a lens of six-inch focus fixed rigidly in the position necessary for obtaining a sharp image of distant objects. It so happens that we want to take with it a portrait of a person only a few feet from the lens. If it were a bellows camera, we should rack out the back or front. But we cannot do this here. So we place in front of our lens a second convex lens which shortens its principal focus; so that in effect the box has been racked out sufficiently.

Nature, however, employs a much more perfect method than this. The eye lens is plastic, like a piece of india-rubber. Its edges are attached to ligaments (L L), which pull outwards and tend to flatten the curve of its surfaces. The normal focus is for distant objects. When we read a book the eye adapts itself to the work. The ligaments relax and the lens decreases in diameter while thickening at the centre, until its curvature is such as to focus all rays from the book sharply on the retina. If we suddenly look through the window at something outside, the ligaments pull on the lens envelope and flatten the curves.

This wonderful lens is achromatic, and free from spherical aberration and distortion of image. Nor must we forget that it is aided by an automatic "stop," the iris, the central hole of which is named the pupil. We say that a person has black, blue, or gray eyes according to the colour of the iris. Like the lens, the iris adapts itself to all conditions, contracting when the light is strong, and opening when the light is weak, so that as uniform an amount of light as conditions allow may be admitted to the eye. Most modern camera lenses are fitted with adjustable stops which can be made larger or smaller by twisting a ring on the mount, and are named "iris" stops. The image of anything seen is thrown on the retina upside down, and the brain reverses the position again, so that we get a correct impression of things.