“Play,” she commanded, and Big McTavish, sitting on a corner of the table, struck up the old tune of “Turkey in the Straw.”

In and out, up and down the room the girls flashed, every movement one of grace. The warm blood showed in their cheeks, the wild life in their eyes. Not many could gallop to the quick music of that old tune, but Gloss and Mary Ann had learned how.

Granny McTavish, in her corner, peeled the potatoes with quick, uncertain slashes, her head moving up and down to the inspiring strains of the fiddle. Widow Ross arose, clapping her hands in time with the music, her matronly face agleam with something akin to youth, her foot stamping the floor in regular thumps twice to each measure. As the music waxed faster Granny McTavish arose and with trembling hands removed her glasses. Big Mac, his face hugging the old fiddle, smiled as he noted the action, and nodding to widow Ross he changed abruptly to an old Scottish air. The sick woman had struggled up on the couch and tears of laughter were streaming down her face.

“Dance a Scotch four for me,” she begged, and Granny and widow Ross faced the two girls on the wide floor.

Oh, such a dance as that was! The young girls could dance, and no mistake. But they could teach the older ones nothing when it came to executing that old Scotch dance. In and out they darted, faster and faster, their feet moving in perfect time to the exhilarating bars of the music until Big McTavish, unable to contain his joy longer, leaned back on the table and laughed until the very rafters shook and threatened to bring smoked hams and dried venison strips down upon the heads of the merrymakers. Then Granny, her wrinkled face working, slipped back to her pan of potatoes and widow Ross sank into a chair and reached for her basket.

“Sakes alive, dearest,” she panted, “I’m too fleshy to stand it any more.”

“Oh, it has made me feel so much better,” declared the sick woman. “I do love the fiddle, and it does seem so good to think that dear Granny has not forgotten the olden days.”

“When the little ma is well, which please God ’ll soon be,” said McTavish, “we’ll have a real old-fashioned dance here, with all the old boys and girls and all the young boys and girls right here together. And then, ladies, ma and me’ll show you how the minuet should be danced. We’ll have French Joe over to play. He’s a good fiddler, is Joe, almost as good as anybody I know.”

He hung the instrument up on its nail and, passing on to the couch, sank on his knee before it.

“Ma,” he said softly, stroking the heavy brown hair away from the little woman’s forehead, “there’s only one real shadder in all this big bright bush-world of ours, and God ain’t goin’ to let that rest there long. I’ve watched shadders long enough to know that they don’t last. When this one passes there’ll be happy times. You maybe can guess how much I miss you up and around, ma, so won’t you try and get better for my sake, and all our sakes?”