"But Miss Wentstile told me the other day that she might announce one soon," persisted Mrs. Croydon, into whose flushed face had come a look of baffled obstinacy.
Mrs. Neligage threw up her hands in a graceful little gesture. She played private theatricals infinitely better than Mrs. Croydon. There was in their art all the difference between the work of the most clumsy amateur and a polished professional.
"There is nothing to do but to tell it," she said, as if appealing to Miss Wentstile and Alice. "The engagement was that of Miss Endicott and my son. Miss Wentstile never for a moment thought of marrying the Count. She knew from me that he gambled and was a famous duelist."
Alice put out her hand suddenly, and caught that of the widow.
"Oh, Mrs. Neligage!" she cried.
The widow patted the girl's fingers. The face of Miss Wentstile was a study for a novelist who identifies art with psychology.
"Of course I ought not to have told, Alice," Mrs. Neligage went on; "but I'm sure Mrs. Croydon is to be trusted. It isn't fair to your aunt that this nonsensical notion should be abroad that she meant to marry the Count."
Mrs. Croydon was evidently too bewildered to understand what had taken place. She awkwardly congratulated Alice, apologized to Miss Wentstile for having made a scene, and somehow got herself out of the way.
"What an absolutely incredible woman! With the talent both she and Mr. Barnstable show for kicking up rows in society," observed Mrs. Neligage, as soon as the caller had departed, "I should think they would prevent any city from being dull. I trust they will pass the time till their next divorce somewhere else than here."