Talks on Teaching Literature

by Arlo Bates

Very likely a hint of the explanation of the whole matter is to be found in this last fact. In the first place the work of the schoolroom, however gently administered, represents compulsion, and we have trained the rising generation to feel that compulsion is a thing to be abhorred. Perhaps nothing could ever make school-work the same as the life which is voluntary and spontaneous; but modern methods have generally not succeeded in minimizing this difficulty. In the second place, teachers are too often uncareful or unable to soften the differences between reading without responsibility of thoroughness and reading with the consciousness that class-room questionings may lie beyond. Almost any child has the power of treating

a book or a poem as a friend when he reads for pleasure and of regarding the same book as an enemy when it becomes a lesson. The thing is normal and not unhealthy; but it is to be reckoned with and counteracted.

Professor Bronson, in his brief discussion of the matter, goes on to remark that where the Jekyll and Hyde attitude of mind exists—which to some degree, I believe, would be in every pupil—

The first task of the teacher is to make the pupil fully realize it and to urge upon him the necessity of discrimination in his voluntary reading. For this purpose ridicule of trashy books by name and praise of good books, with reasons why they are good, may well fill the part of a recitation period, now and then, even though the routine work suffer a little. For the same purpose, it is very desirable that more of the best modern literature be made a part of the English course, especially in the earlier years, when the pupil's taste is forming, for it is easier to bring such works into close relation with his voluntary reading. The teacher of English may also consider himself recreant if he does not give his class advice about the reading of magazines and instructions how to read the newspapers.

With the spirit of this I agree entirely. The letter does not seem to me entirely satisfactory. I have learned to be a little afraid of ridicule as a means of affecting the minds of the young in any direction. It is the easiest of methods, but no less is it the one which requires the most prudence and delicacy. It is the one which is most surely open to the error of the point of view. If the teacher tries

to lessen the inclination of pupils for specific books by ridicule, he can do no good unless he is able to make the class feel that these books are ridiculous not only according to the standards of the teacher but according to the standard of the child. To prove that from the instructor's point of view a book is poor and silly amounts to little if the work really appeals to the young. No more is effected than would be accomplished if the teacher told lusty lads that to him playing ball seemed a foolish form of amusement. They appreciate at once that he is speaking from a point of view which is not theirs and which they have no wish to share. He must be able to make it evident that the book in question, with its attractions, which he must frankly acknowledge, is poor when judged by standards which the pupils feel to be true and which belong to the sphere of boyhood.

I confess with contrition that in my zeal for good literature I have in earlier days spoken contemptuously of popular and trashy books which I had reason to think my boys probably enjoyed and admired. I believe I was wrong. Now I do not hesitate to say what I think about any book when a student asks me, but I make it a rule never in class to attack specific books or authors for anything but viciousness, and that question is hardly likely to arise in the secondary schools. I cannot afford to run the risk of alienating the sympathies of my pupils, and of arousing a feeling that my point of view is so far removed from theirs that they cannot

trust my opinions to be sympathetic. The normal attitude of the child toward the adult is likely enough to be that of believing "grown-ups" to be so far from understanding what children really care for as to be entirely untrustworthy in the selection of reading. The child disregards or distrusts the judgments of his elders not on abstract grounds, but merely from an instinctive feeling that adults do not look at things from his point of view. I always fear lest by an unwise condemnation of a book which a lad has enjoyed I may be strengthening this perfectly natural and inevitably stubborn conviction.

The first and most important means of influencing outside reading is by impressing upon the child's mind the idea that he is studying literature chiefly for the sake of reading to himself and for himself. About this should be no doubt or uncertainty. No child should for a moment be allowed to suppose that such dealing with books as is possible in the school-room can be chiefly for its own sake, can be so much an end as a means. To allow him to suppose that the few works he goes over can be held adequately to represent the great literary treasures of the race, or that he can be supposed to do more than to learn how to deal with literature for himself, is at once to make instruction in this branch more an injury than a benefit. It would be no more reasonable than to allow him to think that he learns the multiplication-table for the sake of his school "sums" rather than

that he may have an effective tool to help him in the practical affairs of life.