of it that they can get. Then it should be read aloud in the class, and carefully gone over. The aim should be to have understood as clearly as possible what were the political and the social conditions of the time when the events of the romance are represented as taking place. Such other historic personages as enter into the story without being mentioned in this preliminary sketch should be brought into this exposition. Thus when King Richard and Prince John and Robin Hood the semi-historic come upon the stage the student will be prepared for the effect which the novelist intended, and will have, moreover, that pleasure which a young reader always feels in finding himself equal to an occasion.

This preliminary work being accomplished, the rest of the book will probably have to be largely assigned for home reading. The opening chapters, however, and the most striking scenes must certainly be read aloud in class. A sufficient portion for a lesson will be assigned each day. A list of words for that portion will be given out with it to be learned first. No teacher will suppose, I fancy, that in every case a student will master the vocabulary before he reads the selection, but the principle is sound and the words would at least be all taken up in class before any reading is done. Students should be told to read the selection aloud at home, and should come to the class acquainted with the meaning and significance of each passage, or prepared to ask about them.

At the beginning of the novel, when the reader is learning the situation and the characters concerned, the assignments must be shorter than in the latter part of the book, when these things are understood and the current of the tale runs more swiftly. The remainder of the first chapter, from the paragraph beginning "The sun was setting" is quite enough for a first instalment. The following words make up the preliminary vocabulary:

The method of treating the fiction itself has been sufficiently indicated in the previous illustration from "Treasure Island," but may be briefly touched upon. In this chapter of "Ivanhoe" are introduced two characters. Both are described at some length, but in the case of both important touches here and there add to the impression. Gurth is said at the beginning to be stern and sad, and in the talk the reasons come out.

"The mother of mischief confound the Ranger of the forest, that cuts the foreclaws off our dogs, and makes them unfit for their trade."

"Little is left us but the air we breathe, and that appears to have been reserved with much hesitation, solely

for the purpose of enabling us to endure the tasks they lay upon our shoulders."

We have a proof of his impulsiveness in the dangerous freedom with which he speaks to Wamba, and of how daring this is we are made aware when the jester says to him:

"I know thou thinkest me a fool, or thou wouldst not be so rash in putting thy head into my mouth. One word to Reginald Front-de-Bœuf . . . thou wouldst waver on one of these trees as a terror to all evil speakers against dignities."