idea that Shakespeare perhaps introduced the witches as a way of showing how evil thoughts and desires spring up in the heart. The class will easily see that the ideas of ambition, of the possibility of gaining the crown, which little by little grew in the heart of Macbeth can be better shown to an audience by putting the words into the mouths of the witches than by means of soliloquies. This giving of reasons why the dramatist does one thing or another should not be pressed too far and should be touched upon with caution. It is often better to let a detail go unremarked than to run the risk of confusing the mind of the pupil. The witches, however, are almost sure to be remarked upon, and they must be considered frankly.
In this second reading such obscure passages as have been glided over before are to be taken into consideration. If the pupils have, as they should have, texts unencumbered with notes, they may be given a scene or two at a time, and told to use their wits in elucidating the difficulties. Often they show surprising intelligence in this line, and the bestowal of praise where it is deserved is one of the most effective as well as one of the pleasantest parts of the whole process. What they cannot elucidate alone, they may be if possible helped to work out in class, or, if this fails, may be told outright. If they have tried to arrive at the true meaning, they are in a condition when an explanation will have its best and fullest effect.
Passages in the first act of "Macbeth" which
I have thus far passed over deliberately, to the end that the pupil be not bothered over too many difficulties at once, are such as these:
Fair is foul, and foul is fair,—i, 11.
Where the Norweyan banners flout the sky
And fan our people cold.—ii, 49, 50.
Nor would we deign him burial of his men
Till he disbursed, at Saint Colme's inch.—ii, 59, 60.
Ten thousand dollars.—ii, 62.