It was about half past nine when Fenton brought Edith into the gallery. The crowd had by this time become pretty dense, and just inside the door they halted, exchanging greeting with the acquaintances who appeared on every side. The St. Filipe was an old club, and for more than a quarter of a century had maintained the reputation of leading in matters of art and literature. Its influence had, on the whole, been remarkably even and intelligent; but of late it began to be felt, among those who were radical in their views, that the club was coming under Philistine influence. Half a dozen years before, when Fenton had proposed Peter Calvin for membership, even the social influence of the candidate did not save him from a rejection so marked that Arthur had threatened to resign his own membership. Now, however, Peter Calvin was not only a member of the St. Filipe, but he was on the Election Committee. The club was held in favor in the circles over which his influence extended, and although workers in all branches of art were still included among the members, they were pretty closely pushed by the more fashionable element of the town. Fenton was not far from right in asserting, as he did one day to Mrs. Greyson, after her return from Europe, that the change in his own attitude toward art was pretty exactly paralleled by the alteration which had taken place in that of Boston.
The character of the membership of the club was indicated to-night by the brilliancy of the company present. It was one of those occasions when everybody is there, and the scene, as the new-comers looked over the gallery, was most bright and animated. Although the ladies had evidently labored under the usual uncertainty in regard to the proper dress which seems inseparable from an art exhibition in Boston, and were in all varieties of costume from street attire to full evening toilette, there were enough handsome gowns to supply the necessary color. There was also abundance of pretty and of striking faces, and the crowd had that pleasant look of familiarity which one gets from recognizing acquaintances all through it.
One of the first persons the Fentons saw was Ethel Mott, who, under the chaperonage of Mrs. Frostwinch, was making the tour of the gallery with Kent, and paying far more attention to her companion than to the pictures.
"Oh, Arthur," Edith whispered, "I saw Mrs. Staggchase in the dressing-room, and she told me that Ethel's engagement is out to-day."
Arthur smiled, remembering his perspicacity when Ethel had driven away from his dinner with Kent in her carriage.
"Isn't the crowd dreadful?" the voice of Mrs. Bodewin Ranger said, at Edith's elbow. "I'm really getting too old to trust myself in such a crush."
While Edith chatted with her, the steward called Fenton away, in connection with some question about the catalogues, and when Mrs. Ranger moved on, Edith found herself for an instant alone. The mention of her husband's name behind her caught her ear and her attention.
"Fenton's cheeky enough for anything!" said an unknown voice. "But he makes a point of his good taste, and I think it's beastly poor form for him to show that picture here."
"Bently says," returned another voice, also strange to Edith, "that Fenton says she didn't pose for him, but that he worked it up from old studies."
"I don't care if he did," was the response. "All the fellows know it, and Herman must feel like the deuce."