"But where are you going?"
"Home; to Capri."
The artist looked at her with an impatient feeling that it was idle to reason with her, and that she had somehow passed beyond his control. He moved away a few steps, and sat down in an old carved monkish chair, while his visitor leaned, as if for support, against the casing of the door. He looked at her curiously, wondering what her mental processes were like, and saying to himself, with mingled chagrin and philosophy, that it was impossible to deal with a creature so irrational, but that fortunately he was not responsible for her movements His glance wandered about the studio, noting with artistic appreciation the pleasant coloring of a heap of cushions thrown carelessly on the divan. He wondered if it would have been better had he arranged that blue one in a fuller light, as a background for the beautiful shoulder of his Fatima, yet reflected that on the whole the value he had chosen better brought out the quality of the flesh-tones. What a splendid picture the Fatima was. It was worth some inconvenience to have achieved such a success, and, after all, he would not be so foolish as to begrudge the price he must pay for his triumph.
And yet, and yet—He turned back with a movement of impatience toward that sad, silent figure standing just inside his door. A wave of anger rose within him. He felt that he had a right to consider himself aggrieved by her persistent presence. Why must his will, his happiness, his artistic powers be hampered and thwarted by this woman who was only fit to serve his art and be laid aside, like his mahl-stick and palette.
"It seems to me," he burst out, more harshly than ever, "that you might have had the sense to keep away from here, at least until Herman gets over his anger."
"But I am going away," she said, "and I came to you for some money."
He stared at her in fresh amazement an instant; then he burst into derisive laughter.
"Well," he said, "I like that. Why, I'm going to New York myself to-night, to try to beg enough to keep me out of the poor-house."
"But I can't ask Mr. Herman," Ninitta said, beseechingly.
"In Heaven's name, Ninitta," exclaimed Fenton, "don't be an idiot.
There's no sense in running away. Besides, what are you afraid of?"