"For my part," Mr. Irons responded, settling himself in his chair, with a certain air of determination, "I don't take a great deal of stock in this letting an artist have his own way. He might put up a naked woman, or any rubbish he happened to think of. The amount of the matter is that it isn't such a devilish smart thing to make a figure as they try to make out. Any man can do it that has learned the trade, and I haven't any great amount of patience with the fuss these fellows make over their statues."
Neither of his companions felt inclined to enter into a general discussion of the principles underlying art work, and, although neither agreed with this broad statement, there was no direct response offered. Calvin and Hubbard looked at each other, and the latter asked,—
"Have you any notion what Mrs. Greyson would do?"
"No, I have never talked with her."
"Very likely she'd give us another figure like those that are stuck all over Boston, like pins in a pincushion," Hubbard objected. "Some carpet-knight, with a face spread over with a grin as inane as that of Henry Clay on a cigar-box cover."
Irons laughed contemptuously, and rose, throwing away his cigar stub.
"Well, I must go," he announced. "We don't seem to be getting ahead very fast. I'll try and find out if she'll go into a competition, and you two had better do the same with your folks. Then we shall at least have something to go upon. The Daily Observer has already begun to ask why something isn't done, and I'd like to get the thing finished up, myself."
The two others rose also, and it was thereby manifest that this unproductive sitting of the committee was at an end.
XII
WHOM THE FATES HAVE MARKED.
Comedy of Errors; i.—1.