"Really, my dear," the beautiful old lady said to her husband; "it seems to me that people are not wise in asking Mr. Stanton about so much. It only unsettles him, and he should be left to associate with persons in his own class."
"I quite agree with you," her husband replied, as he had replied to every proposition she had advanced for the half century of their married life.
Mrs. Frostwinch was less rigid. It is somewhat the fashion of the more exclusive of the younger circles of Boston to make a more or less marked display of a democracy which is far more apparent than real. Partly from the genuine and affected respect for culture and talent which is so characteristic of the town, and partly from some remnants of the foolish superstition that the persons who produce interesting works of art must themselves be interesting, the social leaders of the town are, as a rule, not unwilling to receive into a sort of lay-brotherhood those who are gifted with talent or genius. No fashion of place or hour, however, can change the essential facts of life; and it is perhaps quite as much the incompatibility of aim, of purpose in life, as any instinctive arrogance on either side, that makes any intimate union impossible. It is inevitable that members of any exclusive circle shall regard others concerning whose admission there has been question with some shade of more or less conscious patronage, and sensitive men of genius are very likely as conscious of "the pale spectrum of the salt" as was Mrs. Browning's poet Bertram, invited into company where he did not belong, because it was socially too high and intellectually and humanely too low. The members of what is awkwardly called fashionable society are too thoroughly trained in the knowledge of the principles of birth, wealth, and mutual recognition upon which their order is founded, to be likely to lose sight of the fact that artists and authors and actors, not possessing, however great their cleverness in other directions, these especial qualifications, can only be received into the charmed ring on sufferance; and nothing could be more absurd or illogical than to blame them for recognizing this fact.
Mrs. Frostwinch, at least, was in no danger of forgetting where she stood in relation to such lions as she invited to her house. She understood accurately how to be gracious and yet to keep them in their place. Indeed, she did this instinctively, so thoroughly was she imbued with the spirit of her class. She did not open her doors to many people on the score of their talent, and least of all did she encourage lions of appearance so coarse and uncouth as Orin Stanton. She found the role of lady patroness amusing, however, and, although she would not have put the sculptor's name on the lists of guests for a dinner or an evening reception, she did invite him to a Friday afternoon, when she knew Stewart Hubbard was likely to be present; and a glowing knowledge of this honor was in Orin's mind when he went to call on Melissa.
"I've no doubt you're surprised to see me," Orin said, brusquely, as he seated himself, still in his overcoat. "The truth is, I don't run round a great deal, and if I do, it's where it will do me some good."
Milly smiled to herself. She was not without a sense of humor.
"Naturally, I don't expect you to waste your time on me," she answered.
"You must be very busy, and I suppose you have lots of engagements."
"Oh, of course," he returned, with an obvious thrill of self-satisfaction. "The Boston women are always interested in art, and I could keep going all the time, if I had a mind to. I'm going to Mrs. Frostwinch's to-morrow. She wants to introduce me to Mr. Hubbard, one of the committee on the new statue."
To Orin's disappointment this fact seemed to make little impression upon Milly, who was far too ignorant of Boston's social distinctions to realize that an invitation to one of Mrs. Frostwinch's Fridays was an honor greatly to be coveted.
"I am glad if people are interesting themselves in your work, Orin," she said, with a manner she tried not to make formal.