Poor Aurelia, bewildered by her visitor's condescension and unfamiliar worldly tone, could only smile in reply. When Clementina rose to go, she said:
"I rely on you, Alcázar, to see that your sister keeps her promise. As for you—you can do as you please. I never press my society on a savant, for I know one may be boring him when one least suspects it."
She had quite recovered her balance, and spoke in an easy protecting tone, with almost a maternal air. Even on the staircase she paused to reiterate all her friendly advances. She would not allow Raimundo to escort her to the house-door; she went down alone, leaving a trail of perfume which he enjoyed more than his sister did. When their door was closed on her, Aurelia did not speak; and she replied to her brother's rapturous eulogies in so few words that his ardour was soon dashed.
It was too true: the feeling of filial adoration which the young professor had felt at first for the lady of his dreams was fast dying away, or rather was being transformed into another, less saintly though still akin to it. In him, as in every man who lives out of the society of women, and exclusively devoted to study, the instincts of sex and the revelation of the divine law of love were sudden and intense. On the very next day he urged Aurelia to return Clementina's call, though he expressed his wish with some timidity and hesitation. His sister, however, insisted on the propriety of allowing some little time to elapse, and he submitted. At length the visit was paid. Aurelia spent an afternoon in the Señora's boudoir. Raimundo, after much deliberation, did not venture to accompany her.
Three or four days later Clementina again called to invite them both to her box at the Opera that evening. It was a terrible joy. Raimundo had not a dress coat, and Aurelia's wardrobe was not much better furnished. However, they went. A relation lent Raimundo a coat, and Aurelia wore the best she had. Next day Raimundo ordered a dress suit, of the first tailor in Madrid; nor was this all: without saying anything to his sister, he went to the box-office of the Opera-house and subscribed for a stall as near as possible to the Osorios' box, and for the same evenings.
Thanks to Raimundo's efforts, the intimacy grew apace, though his sister, while she spoke warmly of her new friend's kindness, opposed a passive resistance to all familiarity with her. Do what she might, she could not forget the extraordinary way in which their acquaintance had begun, nor the sense of falsity with which Clementina had impressed her. Raimundo, fully aware of all this, did his utmost by direct and indirect means to conquer her suspicions.
Aurelia was plain, rather than pretty, with sound common sense, and an upright spirit. Her adoration for her brother, inherited from her mother, did not blind her to the weak points in his character. He was easily impressed and as easily led, and still very puerile. In fact, in a certain sense, she represented the masculine and he the feminine element in the house. He was easily moved to tears; she, with great difficulty. He was liable to whimsical alarms and bewilderments, amounting sometimes almost to hallucinations, her nervous system was calm and well balanced; she was healthy and sound, he frail and placid. During the months immediately following on his mother's death, Raimundo, making a great effort, with the idea of being his sister's protector, had shown more manliness and firmness; but, as time went on, his nature reasserted itself, and he fell into his childish fancies and womanly susceptibilities again, in proportion as she developed a resolute, honest, and well-balanced character.
It cost Clementina hardly an effort to fascinate and subjugate the young naturalist. Sometimes the young people went to her, and sometimes she to them; or she would fetch them to go to the theatre, or out driving with her, and thus they soon met almost every day. The first evening that Pepe Castro met Alcázar in the Osorios' drawing-room he perfectly understood the situation, and it filled him with rage.
"So this precious hussy is taking up with a baby!" he muttered between his teeth. "They all come to such folly at last."
He thought of insulting the boy and provoking him to fight; but he soon saw that this could do him no good. What could he gain by it? Absolutely nothing, for Clementina would only hate him the more, and the scandal would betray his discomfiture—all the more ignominious for him, as his successful rival was a boy, whom no one knew anything about. So he came to the prudent conclusion that he would not wear his heart for daws to peck at, but would for a while leave his mistress to her own devices. By-and-by, perhaps, she would tire of playing with this pet lamb and call the sheep back to the fold.