"I have nothing to forgive you for."

"Thanks, little coz," pursued Don Alfonso, rising, and with an elegant and graceful gesture again shaking hands with her.

Then he began to talk with his aunt about family affairs; asking her many questions about his whole circle of relatives, and learning many particulars of which he had been ignorant.

Then the conversation turned on the customs of Paris, which he described pleasantly and attractively, taking pains to extol Spain, instead of depreciating it as the majority of travellers are in the habit of doing. This appealed to la brigadiera's sympathies. Don Alfonso spoke easily and naturally, but without conceit; on the contrary, in the midst of his talk, he would correct any idea that seemed at all pretentious, and was evidently anxious to show that he had no wish whatever to make himself out a remarkable man.

If he spoke of women, all had "given him the mitten"; if he spoke of art, or gave his opinion about museums and singers, he protested that he had little or no knowledge of painting or music; if by chance he was obliged to refer to any quarrel in which he himself had taken part, he passed over it lightly, and did not fail to have it understood that he had done everything possible to avoid it, and at the same time he made sport of the duel and of duelists.

As Don Alfonso had the reputation of being lucky in love affairs, and many of his adventures had made considerable talk, as he played the piano pretty well, and was accounted one of the crack marksmen of Paris, and had fought more than a dozen duels, this modesty of his in conversation was a refreshing contrast, sure of bringing success in society. These accomplishments were rendered still more attractive by the slight foreign accent which made his words all the more insinuating and suave.

Julita listened to him, gazing at him with that intense and conjuring look by which young girls in an instant analyze all a man's physical and moral nature.

Her cousin made a very favorable showing as the result of the analysis; she had no idea that he was such an amiable and attractive man; the incidents of his life which she had heard before gave him the reputation of being haughty and violent in character, if not even coarse and shameless.

One evening in Seville he was engaged in playing ombre, and because he was not very successful, he became so much excited that he said all sorts of impudent things, and finally told the ladies present that he was going to ride into the parlor on his nag. No one placed any credence in what he said, and he went out without any one noticing it; but in a few minutes he made his appearance on horseback, to the amazement and terror of all, especially the ladies, who began to scream, while he, striking the spurs into his horse, roared with laughter.

On another occasion, being deep in an intrigue with a young woman of the middle class, he went in full dress to the house of her parents, and told them that he wished to speak with them on a very private and serious matter. The father, who was a humble government employé, imagining, as any one might have supposed, that he was going to ask his daughter's hand, received him trembling with emotion; then after many periphrases and circumlocutions, Saavedra ended by asking him to give him a favorable report on a certain matter that he had in his department.