After this adventure Amalia lost caste in the place. But she well knew that if she had retained her prestige, it would have been the same. Men do not marry for prestige, but for money. It never occurred to her to feel remorse for the past. She lived sad and resigned for two years, showing an utter indifference to the pleasures belonging to her position, and without making any effort to gain the good graces of the young men so as to get a husband. It was when she was about twenty-four years old and she had given up all thought of matrimony, that Don Pedro Quiñones, her third or fourth cousin, began to think about her. She rebelled against marrying this gentleman, whom she had only seen two or three times as a child, and who had been a widower for a short time, and whose eccentricities she had heard her father and brother relate with fits of laughter, and now they were the very ones to press her acceptance of him as a husband! She was not very firm in her resistance. She was so disillusioned, she lived in such a state of deep dejection and apathy, that as soon as her father became angry about the matter and pressed her to accede to his entreaties he extorted a consent. They all said that the marriage would be the salvation of the family. She did not trouble to find out if that were the truth or not. After she was married, she found that all that they could get out of Don Pedro was a little allowance, which gave them hardly enough for food.
So the noble descendant of the Quiñones of Leon was hopelessly in love with a statue. On the journey that they made from Valencia to Lancia the bride was so cold and circumspect, but at the same time polite, that Don Pedro was kept at the same distance as at the beginning of his suit. In Lancia we know what the public version of the story was. The persistent coldness and the infinite contempt with which she treated him for some time, far from repelling him, only increased his passion. Quiñones was, as we know, of a strong, tenacious, indomitable will. The obstacles which at first merely irritated him, finally enraged him. He wanted to conquer the heart of his wife, and he spared no means in the attempt: he overwhelmed her with attentions, he gratified her slightest wishes, and lived for several months in perpetual anxiety, in a perfect fever of alternate hope and despair. He would, however, never have attained his end without the astuteness of his friend the canon, who advised him to take a journey in the mountains, which, rife with frights and dangers, drew them together in closer intimacy. During the first two years of her marriage Amalia led a retired life, without ever hardly leaving the gloomy old palace of the Calle de Santa Lucia. She lived alone in her depression, and made her life more sad than it need have been, by nursing a dumb rebellion against a fate that threatened to drive her insane. To all outward appearance she was resigned, treating those that were about her with studied courtesy. The dreadful illness which happened to her husband distracted her a little, and a sentiment of pity touched her heart. For some time she thought she was destined for the vocation of a nursing sister, and she tried with assumed affection to make his life more bearable to him. By degrees she grew to like the little gatherings of friends round her husband, and she began to interest herself and take part in the local political conversations.
Don Pedro was the arbiter of the province whilst the Moderate party was in power. Now that it was out, he still retained great prestige and influence, from people not knowing how long it would be before it was in again. It was to augment this prestige and this influence, and to add to the dignity of the house, that Amalia opened her drawing-rooms to the Lancian society that she had hitherto kept at a distance, doing nothing but pay a few complimentary visits. She now gave concerts, organised sociable gatherings, and had large state balls, by means of which she regained her lost energy, and the gracious and sympathetic versatility which had characterised her; the light returned to her eyes and the smile to her lips. Nobody could better do the honours of her entertainments. She was a model of gentleness and courtesy, and she made herself adored by the young people of the place to whom she afforded the means of killing interminable winter evenings.
Fernanda Estrada-Rosa was one of the most beautiful ornaments of her concerts and parties. The Count of Onis, her admirer, came in her train. The count had long been on visiting terms at the house of Quiñones, but until lately he only went occasionally in the evening for a formal visit, or at the new year, &c. Notwithstanding, he had a profound sympathy for Quiñones. It was enough for him to belong to the nobility, for the young noble to consider him superior in all respects to everybody else in the place. Amalia, who hardly knew him, began to observe him with much curiosity. She had heard so much said about his affection and respect for his mother, his melancholy temperament, his habits and his exaggerated piety, that she wished to cultivate his acquaintance, she wanted to gauge the depths of the soul of such a superior and high-minded young man. She was not long in seeing that he was not yet in love. Noting his attention to Fernanda with interest, she perceived a coldness on his side which was certainly not on that of the rich heiress. She knew that the count was deceiving himself, making efforts to fall in love, or at any rate, to seem so. He seemed to look upon love as an obligation pertaining to his age and position. The chief young man in Lancia ought to love the richest, most beautiful girl of Lancia. Besides, it seemed as if he also wanted to show the place that he was neither eccentric nor a maniac, as he had heard that he was reported to be. He therefore went in for being a recognised lover; he spent a couple of hours in the morning in the Calle de Altavilla, where his young lady lived, he sat at her side at the parties of the Señoritas de Meré or de Quiñones, and he danced with her at the balls of the Casino. But at the same time Amalia did not fail to see, with considerable interest, that his conversation was cold, and that the count was often silent and distrait until she took part in the conversation and made it more lively.
The love affair interested her more and more, she courted the girl's confidence as well as his. It was not long before her ardent, sagacious, strong-willed soul sympathised with that of Luis, which was so timid, childlike, pitiful, and affectionate. More proficient in the art of love-making than the Estrada-Rosa girl, she soon won the count's confidence and affection and she drew from him a number of confidences, not only about his feelings, but the whole of his life. No clever Jesuit could have made a better confessor. Luis, delighted at such a show of interest, completely opened his heart to her, at first telling her his habits, then relating things of his past life, and finally confiding secret feelings which are only told to a brother. But Amalia expressed no surprise at such original and morbid thoughts; she gave her opinion on them, and told him affectionately that he might confide in her and count upon her counsel in difficult matters of life, of which complicated mechanism the count was totally ignorant. This clever game advanced her scheme, and he confided in her more and more, happy in the opportunity of unbosoming sentimental ideas, and confessing the strange unhappy timidity to which he was a victim.
Amalia knew how to avoid arousing Fernanda's jealousy by posing as the confidante and protectress of her love. If she had long and interesting conversations with the count, she had equally long and interesting ones with her. She would have great pleasure in giving them assistance in the form of finding them opportunities of seeing and talking to each other, and when they understood each other, &c. &c. But, without the innocent girl suspecting it, without even the count realising it, the Valencian lady rapidly gained the affections of Luis. If in youth, beauty, and elegance, she was inferior to the rich heiress, she was much superior in expressive grace of countenance, power of conversation, and fine intelligence. The count soon came to telling her what was the true state of his heart with regard to Fernanda. The astute Señora knew how to turn such confidences to her own advantage by making him see that what he felt was only admiration for the beautiful works of nature, a vain desire to make himself beloved by the prettiest and richest girl in the town, the necessity of distraction from depression—anything, in short, but real love. That was shown in great sadness, ineffable joy, sleepless nights, anxiety, and agitation, both sweet and bitter, by which the breast is constantly consumed.
Luis was soon won over to her opinion. Then she added that his coldness was unjustifiable; she did not understand how a man of such good taste had not fallen hopelessly in love ere this. She joked him, she laughed at him, and she praised the qualities of the gentle heiress up to the clouds.
But whilst she said this with her lips, her eyes belied her words: the black pupils, so full of fire and intelligence, were fixed on him with an expression somewhat languid, somewhat malicious, which ended by fascinating him. At the same time her small, delicate, aristocratic hands took hold of his on every occasion; and on parting she pressed them with nervous tenacity. If sometimes, in bending to look at anything, their heads touched, Amalia did not move hers, and the count was not loth to inhale the subtle perfume which entered his veins like poison. She took a great interest in his clothes, and told him what she liked: he was not to wear a frock-coat, the blue jacket suited him admirably. Why did he like dark gloves?
"I forbid you," she said, laughing, "to wear them any more."
She professed a great taste for cravats, and she told him that those in a bow suited him better than those in a knot.