'Faites vos jeux, messieurs,' said the chief croupier of the table.
Henry's fingers touched a solitary five-franc piece in his pocket, large, massive, seductive.
Yes, he was at Monte Carlo. He could scarcely believe it, but it was so. Tom had brought him. The curious thing about Tom was that, though he lied frequently and casually, just as some men hitch their collars, his wildest statements had a way of being truthful. Thus, a work of his had in fact been purchased by the French Government and placed on exhibition in the Luxembourg. And thus he had in fact come to Monte Carlo to paint a portrait—the portrait of a Sicilian Countess, he said, and Henry believed, without actually having seen the alleged Countess—at a high price. There were more complexities in Tom's character than Henry could unravel. Henry had paid the entire bill at the Grand Hotel, had lent Tom a sovereign, another sovereign, and a five-pound note, and would certainly have been mulcted in Tom's fare on the expensive train de luxe had he not sagaciously demanded money from Tom before entering the ticket-office. Without being told, Henry knew that money lent to Tom was money dropped down a grating in the street. During the long journey southwards Tom had confessed, with a fine appreciation of the fun, that he lived in Paris until his creditors made Paris disagreeable, and then went elsewhere, Rome or London, until other creditors made Rome or London disagreeable, and then he returned to Paris.
Henry had received this remark in silence.
As the train neared Monte Carlo—the hour was roseate and matutinal—Henry had observed Tom staring at the scenery through the window, his coffee untasted, and tears in his rapt eyes. 'What's up?' Henry had innocently inquired. Tom turned on him fiercely. 'Silly ass!' Tom growled with scathing contempt. 'Can't you feel how beautiful it all is?'
And this remark, too, Henry had received in silence.
'Do you reckon yourself a great artist?' Tom had asked, and Henry had laughed. 'No, I'm not joking,' Tom had insisted. 'Do you honestly reckon yourself a great artist? I reckon myself one. There's candour for you. Now tell me, frankly.' There was a wonderful and rare charm in Tom's manner as he uttered these words. 'I don't know,' Henry had replied. 'Yes, you do,' Tom had insisted. 'Speak the truth. I won't let it go any further. Do you think yourself as big as George Eliot, for example?' Henry had hesitated, forced into sincerity by Tom's persuasive and serious tone. 'It's not a fair question,' Henry had said at length. Whereupon Tom, without the least warning, had burst into loud laughter: 'My bold buccaneer, you take the cake. You always did. You always will. There is something about you that is colossal, immense, and magnificent.'
And this third remark also Henry had received in silence.
It was their second day at Monte Carlo, and Tom, after getting Henry's card of admission for him, had left him in the gaming-rooms, and gone off to the alleged Countess. The hour was only half-past eleven, and none of the roulette tables was crowded; two of the trente-et-quarante tables had not even begun to operate. For some minutes Henry watched a roulette table, fascinated by the munificent style of the croupiers in throwing five-franc pieces, louis, and bank-notes about the green cloth, and the neat twist of the thumb and finger with which the chief croupier spun the ball. There were thirty or forty persons round the table, all solemn and intent, and most of them noting the sequence of winning numbers on little cards. 'What fools!' thought Henry. 'They know the Casino people make a profit of two thousand a day. They know the chances are mathematically against them. And yet they expect to win!'