and underneath:
'Love in Babylon'
and the commencement of the tale. The marvellous man had covered nine pages of the washing-book.
Within twenty-four hours, not only Henry, but his mother and aunt, had become entirely absorbed in Henry's tale. The ladies wondered how he thought of it all, and Henry himself wondered a little, too. It seemed to 'come,' without trouble and almost without invitation. It cost no effort. The process was as though Henry acted merely as the amanuensis of a great creative power concealed somewhere in the recesses of his vital parts. Fortified by two halves of a mince-tart and several slices of Sir George's turkey, he filled the washing-book full up before dusk on Christmas Day; and on Boxing Day, despite the faint admiring protests of his nurses, he made a considerable hole in a quire of the best ruled essay-paper. Instead of showing signs of fatigue, Henry appeared to grow stronger every hour, and to revel more and more in the sweet labour of composition; while the curiosity of the nurses about the exact nature of what Henry termed the dénouement increased steadily and constantly. The desires of those friends who had wished a Happy Christmas to the household were generously gratified.
It was a love tale, of course. And it began thus, the first line consisting of a single word, and the second of three words:
'Babylon!
'And in winter!
'The ladies' waiting-room on the arrival platform of one of our vast termini was unoccupied save for the solitary figure of a young and beautiful girl, who, clad in a thin but still graceful costume, crouched shivering over the morsel of fire which the greed of a great company alone permitted to its passengers. Outside resounded the roar and shriek of trains, the ceaseless ebb and flow of the human tide which beats for ever on the shores of modern Babylon. Enid Anstruther gazed sadly into the embers. She had come to the end of her resources. Suddenly the door opened, and Enid looked up, naturally expecting to see one of her own sex. But it was a man's voice, fresh and strong, which exclaimed: "Oh, I beg pardon!" The two glanced at each other, and then Enid sank backwards.'
Such were the opening sentences of Love in Babylon.
Enid was an orphan, and had come to London in order to obtain a situation in a draper's shop. Unfortunately, she had lost her purse on the way. Her reason for sinking back in the waiting-room was that she had fainted from cold, hunger, and fatigue. Thus she and the man, Adrian Tempest, became acquainted, and Adrian's first gift to her was seven drops of brandy, which he forced between her teeth. His second was his heart. Enid obtained a situation, and Adrian took her to the Crystal Palace one Saturday afternoon. It was a pity that he had not already proposed to her, for they got separated in the tremendous Babylonian crowd, and Enid, unused to the intricacies of locomotion in Babylon, arrived home at the emporium at an ungodly hour on Sunday morning. She was dismissed by a proprietor with a face of brass. Adrian sought her in vain. She sought Adrian in vain—she did not know his address. Thenceforward the tale split itself into two parts: the one describing the life of Adrian, a successful barrister, on the heights of Babylon, and the other the life of Enid, reduced to desperate straits, in the depths thereof. The contrasts were vivid and terrific.