'But that only means two pounds if it's lost, doesn't it?' Mrs. Knight inquired.
Henry nodded and pondered.
'Perhaps I'd better insure it,' he suggested.
'If I were you, I should insure it for a hundred pounds,' said Aunt Annie positively.
'But that will cost one and a penny,' said Henry, who had all such details by heart. 'I could insure it for twenty pounds for fivepence.'
'Well, say twenty pounds then,' Aunt Annie agreed, relenting.
So he insured Love in Babylon for twenty pounds and despatched it. In three weeks it returned like the dove to the ark (but soiled), with a note to say that, though the publishers' reader regarded it as promising, the publishers could not give themselves the pleasure of making an offer for it. Thenceforward Henry and the manuscript suffered all the usual experiences, and the post-office reaped all the usual profits. One firm said the story was good, but too short. ('A pitiful excuse,' thought Henry. 'As if length could affect merit.') Another said nothing. Another offered to publish it if Henry would pay a hundred pounds down. (At this point Henry ceased to insure the parcel.) Another sent it back minus the last leaf, the matter of which Henry had to reinvent and Aunt Annie to recopy. Another returned it insufficiently stamped, and there was fourpence to pay. Another kept it four months, and disgorged it only under threat of a writ; the threat was launched forth on Powells' formidable notepaper. At length there arrived a day when even Henry's pertinacity was fatigued, and he forgot, merely forgot, to send out the parcel again. It was put in a drawer, after a year of ceaseless adventures, and Mrs. Knight and Aunt Annie discreetly forbore to mention it. During that year Henry's opinion on his work had fluctuated. There had been moments, days perhaps, of discouragement, when he regarded it as drivel, and himself as a fool—in so far, that is, as he had trafficked with literature. On the other hand, his original view of it reasserted itself with frequency. And in the end he gloomily and proudly decided, once and for all, that the Stream of Trashy Novels Constantly Poured Forth by the Press had killed all demand for wholesome fiction; he came reluctantly to the conclusion that modern English literature was in a very poor way. He breathed a sigh, and dismissed the episode utterly from his mind.
And Love in Babylon languished in the drawer for three months.