Two.
The visit to the works was a particularly brilliant success. By good fortune an oven was just being ‘drawn,’ and the child had sight of the finest, the most barbaric picture that the manufacture of earthenware, from end to end picturesque, offers to the imaginative observer. Within the dark and sinister bowels of the kiln, illuminated by pale rays that came down through the upper orifice from the smoke-soiled sky, half-naked figures moved like ghosts, strenuous and damned, among the saggers of ware. At rapid intervals they emerged, their hairy torsos glistening with sweat, carrying the fired ware, which was still too hot for any but inured fingers to touch: an endless procession of plates and saucers and cups and mugs and jugs and basins, thousands and thousands! George stared in an enchanted silence of awe. And presently one of the Hercules’s picked him up, and held him for a moment within the portal of the torrid kiln, and he gazed at the high curved walls, like the walls of a gigantic tomb, and at the yellow saggers that held the ware. Now he knew what a sagger was.
“I’m glad you took me,” he said afterwards, clearly impressed by the authority of Edwin, who could stroll out and see such terrific goings-on whenever he chose. During all the walk home he did not speak.
On the Saturday, nominally in charge of his Auntie Janet, he called upon his chum with some water-colour drawings that he had done; they showed naked devils carrying cups and plates amid bright salmon-tinted flames: designs horrible, and horribly crude, interesting only because a child had done them. But somehow Edwin was obscurely impressed by them, and also he was touched by the coincidence that George painted in water-colours, and he, too, had once painted in water-colours. He was moreover expected to judge the drawings as an expert. On Monday he brought up the most complicated box of water-colours that his shop contained, and presented it to George, who, astounded, dazed, bore it away to his bedroom without a single word. Their friendship was sealed and published; it became a fact recognised by the two families.
Three.
About a week later, after a visit of a couple of days to Manchester, Edwin went out into the garden as usual when breakfast was finished, and discovered George standing on the wall. The boy had learned how to climb the wall from his own side of it without help.
“I say!” George cried, in a loud, rough, angry voice, as soon as he saw Edwin at the garden door. “I’ve got to go off in a minute, you know.”
“Go off? Where?”
“Home. Didn’t they tell you in your house? Auntie Janet and I came to your house yesterday, after I’d waited on the wall for you I don’t know how long, and you never came. We came to tell you, but you weren’t in. So we asked Miss Clayhanger to tell you. Didn’t Miss Clayhanger tell you?”
“No,” said Edwin. “She must have forgot.” It occurred to him that even the simple and placid Maggie had her personal prejudices, and that one of them might be against this child. For some reason she did not like the child. She positively could not have forgotten the child’s visit with Janet. She had merely not troubled to tell him: a touch of that malice which, though it be as rare as radium, nevertheless exists even in the most benignant natures. Edwin and George exchanged a silent, puzzled glance.