Edwin saw that whatever danger had existed was now over.
“And I suppose,” said Darius, with assumed grimness, “if I hadn’t happened to ha’ seen a light from th’ bottom o’ th’ attic stairs I should never have known aught about all this here?” He indicated the cleansed attic, the table, the lamp, and the apparatus of art.
“Oh yes, you would, father!” Edwin reassured him.
Darius came nearer. They were close together, Edwin twisted on the cane-chair, and his father almost over him. The lamp smelt, and gave off a stuffy warmth; the open window, through which came a wandering air, was a black oblong; the triangular side walls of the dormer shut them intimately in; the house slept.
“What art up to?”
The tone was benignant. Edwin had not been ordered abruptly off to bed, with a reprimand for late hours and silly proceedings generally. He sought the reason in vain. One reason was that Darius Clayhanger had made a grand bargain at Manchester in the purchase of a second-hand printing machine.
“I’m copying this,” he replied slowly, and then all the details tumbled rashly out of his mouth, one after the other. “Oh, father! I found this book in the shop, packed away on a top shelf, and I want to borrow it. I only want to borrow it. And I’ve bought this paint-box, out of auntie’s half-sovereign. I paid Miss Ingamells the full price... I thought I’d have a go at some of these architecture things.”
Darius glared at the copy.
“Humph!”
“It’s only just started, you know.”