The next evening, Mr. and Mrs. Orgreave, Hilda, Janet, and Alicia were in the dining-room of the Orgreaves awaiting the advent at the supper-table of sundry young men whose voices could be heard through open doors in the distance of the drawing-room.
Charlie Orgreave had won his bet: and Edwin Clayhanger was among those young men who had remained behind in the drawing-room to exchange, according to the practice of young men, ideas upon life and the world. Hilda had been introduced to him, but owing to the performance of another Beethoven symphony there had been almost no conversation before supper, and she had not heard him talk. She had stationed herself behind the grand piano, on the plea of turning over the pages for the musicians (though it was only with great uncertainty, and in peril of missing the exact instant for turning, that she followed the music on the page), and from this security she had furtively glanced at Edwin when her task allowed. "Perhaps I was quite mistaken last night," she said to herself. "Perhaps he is perfectly ordinary." The strange thing was that she could not decide whether he was ordinary or not. At one moment his face presented no interest, at another she saw it just as she had seen it, framed in the illuminated aperture of the shop-shutters, on the previous night. Or she fancied that she saw it thus. The more she tried to distinguish between Edwin's reality and her fancies concerning Edwin, the less she succeeded. She would pronounce positively that her fancies were absurd and even despicable. But this abrupt positiveness did not convince. Supposing that he was after all marvellous among men! During the day she had taken advantage of the mention of his name to ascertain discreetly some details of the legendary feat by which as a boy he had saved his father's printing-shop from destruction. The details were vague, and not very comprehensible, but they seemed to indicate on his part an astounding presence of mind, a heroic promptitude in action. Assuredly, the Orgreaves regarded him as a creature out of the common run. And at the same time they all had the air of feeling rather sorry for him.
Standing near the supper-table, Hilda listened intently for the sound of his voice among the other voices in the drawing-room. But she could not separate it from the rest. Perhaps he was keeping silence. She said to herself: "Yet what do I care whether he is keeping silence or not?"
Mr. Orgreave remarked, in the suspense, glancing ironically at his wife:
"I think I'll go upstairs and do an hour's planning. They aren't likely to be more than an hour, I expect?"
"Hilda," said Mrs. Orgreave, quite calm, but taking her husband quite seriously, "will you please go and tell those young men from me that supper is waiting?"
II
Of course Hilda obeyed, though it appeared strange to her that Mrs. Orgreave had not sent Alicia on such an errand. Passing out of the bright dining-room where the gas was lit, she hesitated a moment in the dark broad corridor that led to the drawing-room. The mission, she felt, would make her rather prominent in front of Edwin Clayhanger, the stranger, and she had an objection to being prominent in front of him; she had, indeed, taken every possible precaution against such a danger. "How silly I am to loiter here!" she thought. "I might be Alicia!"
The boys, she could now hear, were discussing French literature, and in particular Victor Hugo. When she caught the name of Victor Hugo she lifted her chin, and moved forward a little. She worshipped Victor Hugo with a passion unreflecting and intense, simply because certain detached lines from his poems were the most splendid occupants of her memory, dignifying every painful or sordid souvenir. At last Charlie's clear, gay voice said:
"It's all very well, and Victor Hugo is Victor Hugo; but you can say what you like--there's a lot of this that'll bear skipping, your worships."