At length Florrie took off the bonnet and ran upstairs, and shut the door of her attic. Apparently she meant to improve the bonnet by some touch. After waiting nervously a few moments, the aged Hilda slipped silently downstairs, and through the kitchen, and so by the garden, where with their feet in mire the hare trees were giving signs of hope under the soft blue sky, into the street. Florrie would never know that she had been watched.

III

Ten minutes later, when she went into the office of Dayson & Co., Hilda was younger than ever. It was a young, fragile girl, despite the dark frown of her intense seriousness, who with accustomed gestures poked the stove, and hung bonnet and jacket on a nail and then sat down to the loaded desk; it was an ingenuous girl absurdly but fiercely anxious to shoulder the world's weight. She had passed a whole night in revolt against George Cannon's indignity; she had called it, furiously, an insult. She had said to herself: "Well, if I'm so useless as all that, I'll never go near his office again." But the next afternoon she had appeared as usual at the office, meek, modest, with a smile, fatigued and exquisitely resigned, and a soft voice. And she had worked with even increased energy and devotion. This kissing of the rod, this irrational instinctive humility, was a strange and sweet experience for her. Such was the Hilda of the office; but Hilda at home, cantankerous, obstinate, and rude, had offered a remarkable contrast to her until the moment when it was decided that her mother should accompany Miss Gailey to London. From that moment Hilda at home had been an angel, and the Hilda of the office had shown some return of sturdy pride.

To-day the first number of The Five Towns Chronicle was to go to press.... The delays had been inexplicable and exasperating to Hilda, though she had not criticized them, even to herself; they were now over. The town had no air of being excited about the appearance of its new paper. But the office was excited. The very room itself looked feverish. It was changed; more tables had been brought into it, and papers and litter had accumulated enormously; it was a room humanized by habitation, with a physiognomy that was individual and sympathetic.

From beyond the closed door of the inner room came the sound of men's rapid voices. Hilda could distinguish Mr. Cannon's and Arthur Dayson's; there was a third, unfamiliar to her. Having nothing to do, she began to make work, rearranging the contents of her table, fingering with a factitious hurry the thick bundles of proofs of correspondence from the villages (so energetically organized by the great Dayson), and the now useless 'copy,' and the innumerable letters, that Dayson was always disturbing, and the samples of encaustic tiles brought in by an inventor who desired the powerful aid of the press, and the catalogues, and Dayson's cuttings from the Manchester, Birmingham, and London papers, and the notepaper and envelopes and cards, and Veale Chifferiel & Co.'s almanac that had somehow come up with other matters from Mr. Karkeek's office below. And then she dusted, with pursed lips that blamed the disgraceful and yet excusable untidiness of men, and then she examined, with despair and with pride, her dirty little hands, whose finger-tips all clustered together (they were now like the hands of a nice, careless schoolboy), and lightly dusted one against the other. Then she found a galley-proof under the table. It was a duplicate proof of The Five Towns Chronicle's leading article, dictated to her by a prodigious Arthur Dayson, in Mr. Cannon's presence, on the previous day, and dealing faithfully with "The Calder Street Scandal" and with Mr. Enville, a member of the Local Board--implicated in the said scandal. The proof was useless now, for the leader-page was made up. Nevertheless, Hilda carefully classified it "in case..."

IV

On a chair was The Daily Telegraph, which Dayson had evidently been reading, for it was blue pencilled. Hilda too must read it; her duty was to read it: Dayson had told her that she ought never to neglect the chance of reading any newspaper whatever, and that a young woman in her responsible situation could not possibly know too much. Which advice, though it came from a person ridiculous to her, seemed sound enough, and was in fact rather flattering. In the Telegraph she saw, between Dayson's blue lines, an account of a terrible military disaster. She was moved by it in different ways. It produced in her a grievous, horror-struck desolation; but it also gave her an extraordinary sensation of fervid pleasure. It was an item of news that would have to appear in the Chronicle, and this would mean changes in the make-up, and work at express speed, and similar delights. Already the paper was supposed to be on the machine, though in fact, as she well knew, it was not. No doubt the subject of discussion in the inner room was the disaster!... Yes, she was acutely and happily excited. And always afterwards, when she heard or saw the sinister word 'Majuba' (whose political associations never in the least interested her), she would recall her contradictory, delicious feelings on that dramatic afternoon.

While she was busily cutting out the news from the Telegraph to be ready for Arthur Dayson, there was a very timid knock at the door, and Florrie entered, as into some formidable cabinet of tyrannic rulers.

"If you please, miss--" she began to whisper.

"Why, Florrie," Hilda exclaimed, "what have you put that old skirt on for, when I've given you mine? I told you--"