Bracing herself, and still full of pride in her ability to write this mysterious shorthand, she opened her notebook, and waited with poised pencil. The mien of the two men had communicated to her an excitement far surpassing their own, in degree and in felicity. The whole of her vital force was concentrated at the point of her pencil, and she seemed to be saying to herself: "I'm very sorry, mother, but see how important this is! I shall consider what I can do for you the very moment I am free."
Arthur Dayson coughed and plumped heavily on a chair.
II
It was in such moments as this that Dayson really lived, with all the force of his mediocrity. George Cannon was not a journalist; he could compose a letter, but he had not the trick of composing an article. He felt, indeed, a negligent disdain for the people who possessed this trick, as for performers in a circus; he certainly did not envy them, for he knew that he could buy them, as a carpenter buys tools. His attitude was that of the genuine bourgeois towards the artist: possessive, incurious, and contemptuous. Dayson, however, ignored George Cannon's attitude, perhaps did not even perceive what it was. He gloried in his performance. Accustomed to dictate extempore speeches on any subject whatever to his shorthand pupils, he was quite at his ease, quite master of his faculties, and self-satisfaction seemed to stand out on his brow like genial sweat while the banal phrases poured glibly from the cavern behind his jagged teeth; and each phrase was a perfect model of provincial journalese. George Cannon had to sit and listen,--to approve, or at worst to make tentative suggestions.
The first phrase which penetrated through the outer brain of the shorthand writer to the secret fastness where Hilda sat in judgment on the world was this:
"The campaign of vulgar vilification inaugurated yesterday by our contemporary The Staffordshire Signal against our esteemed fellow-townsman Mr. Richard Enville..."
This phrase came soon after such phrases as "Our first bow to the public"... "Our solemn and bounden duty to the district which it is our highest ambition to serve..." etc. Phrases which had already occurred in the leading article dictated on the previous day.
Hilda soon comprehended that in twenty-four hours Mr. Enville, from being an unscrupulous speculator who had used his official position to make illicit profits out of the sale of land to the town for town improvements, had become the very mirror of honesty and high fidelity to the noblest traditions of local government. Without understanding the situation, and before even she had formulated to herself any criticism of the persons concerned, she felt suddenly sick. She dared not look at George Cannon, but once when she raised her head to await the flow of a period that had been arrested at a laudatory superlative, she caught Dayson winking coarsely at him. She hated Dayson for that; George Cannon might wink at Dayson (though she regretted the condescending familiarity), but Dayson had no right to presume to wink at George Cannon. She hoped that Mr. Cannon had silently snubbed him.
As the article proceeded there arose a crying from the Square below. A Signal boy, one of the earliest to break the silent habit of the Square, was bawling a fresh edition of Arthur Dayson's contemporary, and across the web of the dictator's verbiage she could hear the words: "South Africa--Details--" Mr. Cannon glanced at his watch impatiently. Hilda could see, under her bent and frowning brow, his white hand moving on the dark expanse of his waistcoat.
Immediately afterwards Mr. Cannon, interrupting, said: