Arthur Twemlow felt that he ought to have been annoyed, but he could do no more than keep up a certain reserve of manner. Neither the memory of his humiliating clumsy lies about his sister in broaching the matter of his father's estate to Stanway, nor his clear perception that Stanway was a dishonest and a frightened man, nor his strong theoretical objection to Stanway's tactics in so urgently inviting him to tea, could overpower the sensation of spiritual comfort and complacency which possessed him as he sat between Leonora and Ethel at Leonora's splendidly laden table. He fought doggedly against this sensation. He tried to assume the attitude of a philosopher observing humanity, of a spider watching flies; he tried to be critical, cold, aloof. He listened as one set apart, and answered in monosyllables. But despite his own volition the monosyllables were accompanied by a smile that destroyed the effect of their curtness. The intimate charm of the domesticity subdued his logical antipathies. He knew that he was making a good impression among these women, that for them there was something romantic and exciting about his history and personality. And he liked them all. He liked even Rose, so pale, strange, and contentious. In regard to Milly, whom he had begun by despising, he silently admitted that a girl so vivacious, supple, sparkling, and pretty, had the right to be as pertly foolish as she chose. He took a direct fancy to Ethel. And he decided once for ever that Leonora was a magnificent creature.

In the play of conversation on domestic trifles, the most ordinary phrases seemed to him to be charged with a peculiar fascination. The little discussions about Milly's attempts at housekeeping, about the austere exertions of Rose, Ethel's first day at the office, Bran's new biscuits, the end of the lawn-tennis season, the propriety of hockey for girls, were so mysteriously pleasant to his ears that he felt it a sort of privilege to have been admitted to them. And yet he clearly perceived the shortcomings of each person in this little world of which the totality was so delightful. He knew that Ethel was languidly futile, Rose cantankerous, Milly inane, Stanway himself crafty and meretricious, and Leonora often supine when she should not be. He dwelt specially on the more odious aspects of Stanway's character, and swore that, had Stanway forty womenfolk instead of four, he, Arthur Twemlow, should still do his obvious duty of finishing what he had begun. In chatting with his host after tea, he marked his own attitude with much care, and though Stanway pretended not to observe it, he knew that Stanway observed it well enough.

The three girls disappeared and returned in street attire. Rose was going to the science classes at the Wedgwood Institution, Ethel and Millicent to the rehearsal of the Amateur Operatic Society. Again, in this distribution of the complex family energy, there reappeared the suggestion of a mysterious domestic charm.

'Don't be late to-night,' said Stanway severely to Millicent.

'Now, grumbler,' retorted the intrepid child, putting her gloved hand suddenly over her father's mouth; Stanway submitted. The picture of the two in this delicious momentary contact remained long in Twemlow's mind; and he thought that Stanway could not be such a brute after all.

'Play something for us, Nora,' said the august paterfamilias, spreading at ease in his chair in the drawing-room, when the girls were gone. Leonora removed her bangles and began to play 'The Bees' Wedding.' But she had not proceeded far before Milly ran in again.

'A note from Mr. Dain, pa.'

Milly had vanished in an instant, and Leonora continued to play as if nothing had happened, but Arthur was conscious of a change in the atmosphere as Stanway opened the letter and read it.

'I must just go over the way and speak to a neighbour,' said Stanway carelessly when Leonora had struck the final chord. 'You'll excuse me, I know. Sha'n't be long.'

'Don't mention it,' Arthur replied with politeness, and then, after Stanway had gone, leaving the door open, he turned to Leonora at the piano, and said: 'Do play something else.'