She kissed her youngest boy, who had long hair.
“Come, come!” the soldier calmed her.
Lastly: an interior dans le monde; a home illustrious in Paris for the richness of its collections—bric-a-brac, fans, porcelain, furniture, modern pictures; the walls frescoed by Pierre Bonnard and his compeers; a black marble balcony with an incomparable view in the very middle of the city. Here several worlds encountered each other: authors, painters, musicians, dilettanti, administrators. The hostess had good-naturedly invited a high official of the Foreign Office, whom I had not seen for many years; she did not say so, but her aim therein was to expedite the arrangements for my pilgrimages in the war-zone. Sundry of my old friends were present. It was wonderful how many had escaped active service, either because they were necessary to central administration, or because they were neutrals, or because they were too old, or because they had been declined on account of physical unfitness, reformes. One or two who might have come failed to do so because they had perished.
Amid the abounding, dazzling confusion of objects which it was a duty to admire, people talked cautiously of the war. With tranquillity and exactness and finality the high official, clad in pale alpaca and yellow boots, explained the secret significance of Yellow Books, White Books, Orange Books, Blue Books. The ultimate issues were never touched. New, yet unprinted, music was played; Schumann, though German enough, was played. Then literature came to the top. A novelist wanted to know what I thought of a book called “The Way of All Flesh,” which he had just read. It is singular how that ruthless book makes its way across all frontiers. He also wanted to know about Gissing, a name new to him. And then a voice from the obscurity of the balcony came startlingly to me in the music-room:
“Tell me! Sincerely—do they hate the Germans in England? Do they hate them, veritably? Tell me. I doubt it. I doubt strongly.”
I laughed, rather awkwardly, as any Englishman would.
The transient episode was very detrimental to literary talk.
Negotiations for a private visit to the front languished. The thing was arranged right enough, but it seemed impossible to fix a day actually starting. So I went to Meaux. Meaux had stuck in my ears. Meaux was in history and in romances; it is in Dumas. It was burnt by the Normans in the tenth century, and terrific massacres occurred outside its walls in the fourteenth century, massacres in which the English aristocracy took their full share of the killing. Also, in the seventeenth century, Bossuet was Bishop of Meaux. Finally, in the twentieth century, the Germans just got to Meaux, and they got no further. It was, so far as I can make out, the nearest point to Paris which they soiled.
I could not go even to Meaux without formalities, but the formalities were simple. The dilatory train took seventy minutes, dawdling along the banks of the notorious Marne. In an automobile one could have done the journey in half the time. An automobile, however, would have seriously complicated the formalities. Meaux contains about fourteen thousand inhabitants. Yet it seems, when you are in it, to’ consist chiefly of cathedral. When you are at a little distance away from it, it seems to consist of nothing but cathedral. In this it resembles Chartres, and many another city in France.
We obtained a respectable carriage, with a melancholy, resigned old driver, who said: