No, no; I cannot—I cannot describe further the experiences of my soul while Diaz played. When words cease, music has scarcely begun. I know now—I did not know it then—that Diaz was playing as perhaps he had never played before. The very air was charged with exquisite emotion, which went in waves across the hall, changing and blanching faces, troubling hearts, and moistening eyes.... And then he finished. It was over. In every trembling breast was a pang of regret that this spell, this miracle, this divine revolution, could not last into eternity.... He stood bowing, one hand touching the piano. And as the revolution he had accomplished in us was divine, so was he divine. I felt, and many another woman in the audience felt, that no reward could be too great for the beautiful and gifted creature who had entranced us and forced us to see what alone in life was worth seeing: that the whole world should be his absolute dominion; that his happiness should be the first concern of mankind; that if a thousand suffered in order to make him happy for a moment, it mattered not; that laws were not for him; that if he sinned, his sin must not be called a sin, and that he must be excused from remorse and from any manner of woe.
The applauding multitude stood up, and moved slightly towards the exits, and then stopped, as if ashamed of this readiness to desert the sacred temple. Diaz came forward three times, and each time the applause increased to a tempest; but he only smiled—smiled gravely. I could not see distinctly whether his eyes had sought mine, for mine were full of tears. No persuasions could induce him to show himself a fourth time, and at length a middle-aged man appeared and stated that Diaz was extremely gratified by his reception, but that he was also extremely exhausted and had left the hall.
We departed, we mortals; and I was among the last to leave the auditorium. As I left the lights were being extinguished over the platform, and an attendant was closing the piano. The foyer was crowded with people waiting to get out. The word passed that it was raining heavily. I wondered how I should find my cab. I felt very lonely and unknown; I was overcome with sadness—with a sense of the futility and frustration of my life. Such is the logic of the soul, and such the force of reaction. Gradually the foyer emptied.
III
‘You think I am happy,’ said Diaz, gazing at me with a smile suddenly grave; ‘but I am not. I seek something which I cannot find. And my playing is only a relief from the fruitless search; only that. I am forlorn.’
‘You!’ I exclaimed, and my eyes rested on his, long.
Yes, we had met. Perhaps it had been inevitable since the beginning of time that we should meet; but it was none the less amazing. Perhaps I had inwardly known that we should meet; but, none the less, I was astounded when a coated and muffled figure came up swiftly to me in the emptying foyer, and said: ‘Ah! you are here! I cannot leave without thanking you for your sympathy. I have never before felt such sympathy while playing.’ It was a golden voice, pitched low, and the words were uttered with a very slight foreign accent, which gave them piquancy. I could not reply; something rose in my throat, and the caressing voice continued: ‘You are pale. Do you feel ill? What can I do? Come with me to the artists’ room; my secretary is there.’ I put out a hand gropingly, for I could not see clearly, and I thought I should reel and fall. It touched his shoulder. He took my arm, and we went; no one had noticed us, and I had not spoken a word. In the room to which he guided me, through a long and sombre corridor, there was no sign of a secretary. I drank some water. ‘There, you are better!’ he cried. ‘Thank you,’ I said, but scarcely whispering. ‘How fortunate I ventured to come to you just at that moment! You might have fallen’; and he smiled again. I shook my head. I said: ‘It was your coming—that—that—made me dizzy!’ ‘I profoundly regret—’ he began. ‘No, no,’ I interrupted him; and in that instant I knew I was about to say something which society would, justifiably, deem unpardonable in a girl situated as I was. ‘I am so glad you came’; and I smiled, courageous and encouraging. For once in my life—for the first time in my adult life—I determined to be my honest self to another. ‘Your voice is exquisitely beautiful,’ he murmured. I thrilled.
Of what use to chronicle the steps, now halting, now only too hasty, by which our intimacy progressed in that gaunt and echoing room? He asked me no questions as to my identity. He just said that he would like to play to me in private if that would give me pleasure, and that possibly I could spare an hour and would go with him.... Afterwards his brougham would be at my disposal. His tone was the perfection of deferential courtesy. Once the secretary came in—a young man rather like himself—and they talked together in a foreign language that was not French nor German; then the secretary bowed and retired.... We were alone.... There can be no sort of doubt that unless I was prepared to flout the wisdom of the ages, I ought to have refused his suggestion. But is not the wisdom of the ages a medicine for majorities? And, indeed, I was prepared to flout it, as in our highest and our lowest moments we often are. Moreover, how many women in my place, confronted by that divine creature, wooed by that wondrous personality, intoxicated by that smile and that voice, allured by the appeal of those marvellous hands, would have found the strength to resist? I did not resist, I yielded; I accepted. I was already in disgrace with Aunt Constance—as well be drowned in twelve feet of water as in six!