‘No, I thank you.’
The fact was that Diaz, since his retirement, had not yet played to anyone except myself. This was his first appearance. I was afraid for him. I trembled for him. I need not have done. He was absolutely master of his powers. His fingers announced, quite simply, one of the most successful airs from La Vallière, and then he began to decorate it with an amazing lacework of variations, and finished with a bravura display such as no pianist could have surpassed. The performance, marvellous in itself, was precisely suited to that audience, and it electrified the audience; it electrified even me. Diaz fought his way through kisses and embraces to Villedo, who stood on his toes and wept and put his arms round Diaz’ neck.
‘Cher maître,’ he cried, ‘you overwhelm us!’
‘You are too kind, all of you,’ said Diaz. ‘I must ask permission to retire. I have to conduct Mademoiselle Peel to her hotel, and there is much for me to do during the night. You know I start very early to-morrow.’
‘Hélas! Morenita sighed.
I had blushed. Decidedly I behaved like a girl last night. But, indeed, the new, swift realization, as Diaz singled me out of that multitude, that after all he utterly belonged to me, that he was mine alone, was more than I could bear with equanimity. I was the proudest woman in the universe. I scorned the lot of all other women.
The adieux were exchanged, and there were more kisses. ‘Au revoir! Bon voyage! Much success over there.’
The majority of these good, generous souls were in tears.
Villedo opened a side-door, and we escaped into a corridor, only Morenita and one or two others accompanying us to the street.
And on the pavement a carpet had been laid. The electric brougham was waiting. I gathered up my skirt and sprang in. Diaz followed, smiling at me. He put his head out of the window and said a few words. Morenita blew a kiss. Villedo bowed profoundly. The carriage moved in the direction of the boulevard.... I had carried him off. Oh, the exquisite dark intimacy of the interior of that smooth-rolling brougham! When, after the theatre, a woman precedes a man into a carriage, does she not publish and glory in the fact that she is his? Is it not the most delicious of avowals? There is something in the enforced bend of one’s head as one steps in. And when the man shuts the door with a masculine snap—