Suddenly the grand circular hall of the Majestic was filled with a clamour at once charming and fantastic. There was chattering of musical, gay American voices, pattering of elegant feet on the tessellated pavement, the unique incomparable sound of the frou-frou of many frocks; and above all this the rich tones of Mr. Lionel Belmont. Nina looked up and saw her radiant father the centre of a group of girls all young, all beautiful, all stylish, all with picture hats, all self-possessed, all sparkling, doubtless the recipients of the dandy supper.

Oh, how insignificant and homicidal Nina felt!

'Thirteen of you!' exclaimed Lionel Belmont, pulling his superb moustache. 'Two to a hansom. I guess I'll want six and a half hansoms, boy.'

There was an explosion of delicious laughter, and the page-boy grinned, ran off, and began whistling in the portico like a vexed locomotive. The thirteen fair, shepherded by Lionel Belmont, passed out into the murmurous summer night of the Strand. Cab after cab drove up, and Nina saw that her father, after filling each cab, paid each cabman. In three minutes the dream-like scene was over. Mr. Belmont re-entered the hotel, winked humorously at the occupant of the pagoda, ignored the bureau, and departed to his rooms.

Nina ripped her inchoate letters into small pieces, and, with a tart good-night to Miss Bella Perkins, who was closing her ledgers, the hour being close upon twelve-thirty, she passed sedately, stiffly, as though in performance of some vestal's ritual, up the grand staircase. Turning to the right at the first landing, she traversed a long corridor which was no part of the route to her cubicle on the ninth floor. This corridor was lighted by glowing sparks, which hung on yellow cords from the central line of the ceiling; underfoot was a heavy but narrow crimson patterned carpet with a strip of polished oak parquet on either side of it. Exactly along the central line of the carpet Nina tripped, languorously, like an automaton, and exactly over her head glittered the line of electric sparks. The corridor and the journey seemed to be interminable, and Nina on some inscrutable and mystic errand. At length she moved aside from the religious line, went into a service cabinet, and emerged with a small bunch of pass-keys. No. 107 was Lionel Belmont's sitting-room; No. 102, his bedroom, was opposite to 107. No. 108, another sitting-room, was, as Nina knew, unoccupied. She noiselessly let herself into No. 108, closed the door, and stood still. After a minute she switched on the light. These two rooms, Nos. 108 and 107, had once communicated, but, as space grew precious with the growing success of the Majestic, they had been finally separated, and the door between them locked and masked by furniture. By reason of the door, Nina could hear Lionel Belmont moving to and fro in No. 107. She listened a long time. Then, involuntarily, she yawned with fatigue.

'How silly of me to be here!' she thought. 'What good will this do me?'

She extinguished the light and opened the door to leave. At the same instant the door of No. 107, three feet off, opened. She drew back with a start of horror. Suppose she had collided with her father on the landing! Timorously she peeped out, and saw Lionel Belmont, in his shirt-sleeves, disappear round the corner.

'He is going to talk with his friend Mr. Pank,' Nina thought, knowing that No. 120 lay at some little distance round that corner.

Mr. Belmont had left the door of No. 107 slightly ajar. An unseen and terrifying force compelled Nina to venture into the corridor, and then to push the door of No. 107 wide open. The same force, not at all herself, quite beyond herself, seemed to impel her by the shoulders into the room. As she stood unmistakably within her father's private sitting-room, scared, breathing rapidly, inquisitive, she said to herself:

'I shall hear him coming back, and I can run out before he turns the corner of the corridor.' And she kept her little pink ears alert.