She smiled nervously. "I—I haven't decided."
Nothing with any particle of significance passed during the remainder of our interview. Telling her that I was leaving for England the next day, I bade good-by to Rosa. She did not express the hope of seeing me again, and for some obscure reason, buried in the mysteries of love's psychology, I dared not express the hope to her. And so we parted, with a thousand things unsaid, on a note of ineffectuality, of suspense, of vague indefiniteness.
And the next morning I received from her this brief missive, which threw me into a wild condition of joyous expectancy: "If you could meet me in the Church of St. Gilles at eleven o'clock this morning, I should like to have your advice upon a certain matter. —Rosa."
Seventy-seven years elapsed before eleven o'clock.
St. Gilles is a large church in a small deserted square at the back of the town. I waited for Rosa in the western porch, and at five minutes past the hour she arrived, looking better in health, at once more composed and vivacious. We sat down in a corner at the far end of one of the aisles. Except ourselves and a couple of cleaners, there seemed to be no one in the church.
"You asked me yesterday about my engagements," she began.
"Yes," I said, "and I had a reason. As a doctor, I will take leave to tell you that it is advisable for you to throw yourself into your work as soon as possible, and as completely as possible." And I remembered the similar advice which, out of the plenitude of my youthful wisdom, I had offered to Alresca only a few days before.
"The fact is that I have signed a contract to sing 'Carmen' at the Paris Opéra Comique in a fortnight's time. I have never sung the rôle there before, and I am, or rather I was, very anxious to do so. This morning I had a telegram from the manager urging me to go to Paris without delay for the rehearsals."
"And are you going?"